Bernard Parmegiani
Rock (Bande Originale Du Film)

Recorded in 1982, Following The Light is the third album british composer Albert Alan Owen recorded for the Apollo Sound Label. Originally a Library oriented Music label, Apollo Sound by the mid 70s commissioned contemporary musical pieces from new composers, aiming presumably to provide atmospheric backgrounds for film, television and advertising, and to feed the burgeoning demand for ‘New Age’ music. Therefore comes Following The Light.While certainly melodic, Owen’s music makes no concessions to mid-afternoon mindfulness or commercial use and reuse. Instead, Following The Light - whose title is taken from the Tao. Number 27 - is a deep and immersive listening experience, clearly the work of a singular musical imagination following its own rules in its own way. With the help of Katherine Sweeney on violin and Milada Polasek on electric piano and organ, Albert Alan Owen recorded Following The Light in “live” condition, taking profit of a strong use of the digital effects which were in its infancy at this time; the music was written to make the most of what technology was available, resulting a singular piece of music of sheer beautyThe record demands to be considered as a stand-alone unit, its three sections unfolding elegant and propulsive by turns, as reoccurring themes answer each other through the layers. There are echoes of Reich and Riley in the use of delay, that warm rolling repetition and those bass pulses. But this is not in the service of a system. There is something more lyrical, more humane at work in the music.With Following the Light, Albert Alan Owen has given us a record that stands outside of time and place, it’s familiar elements made strange and new, all bathed in magic hour light.

For years Porto has been considered a secret gem in Europe's cultural "underground".Hidden behind the cold granite stones that make our city a throbbing local scene eruptswithin jazz and all its many deviations. More than a showcase of this scene, Granito intendsto be a roadmap for what Porto is set to bring to table in the near future.

Alone at the piano, Lucien takes us the time of a very personal first album in a deep and quiet reverie. We spend a warm winter morning in his company remembering tender memories of childhood.
Between unreleased tracks and pieces from the Kimono Orchestra revisited, Piano Matinée concludes a barely-past record trilogy, while opening the way to a vaster future. Universal, sensitive, cinematographic, the piano language spoken here by Lucien opens us to his musical world in a light that is both more authentic and accessible.
The album also tells us a personal story. That of a grandfather - an exceptional pianist but forced to give up making a career out of it when the Second World War broke out - who gave him a taste for music in his early childhood, before passing away.
Many years later, Lucien falls back on old cassette recordings of his elder, shortly after has a disturbing dream where he swears to have dialogued with him and decides to pursue the path in his own way. Self-taught, he refined his interpretation on the piano for a whole year before deciding to freeze it in the summer of 2019 on the legendary Steinway at Studios Saint-Germain.
Drawing freely from all his influences - jazz, funk, classical, cinema - Lucien delivers with Piano Matinée a separate object, as intimate as it is melodious.

La Bestiole comes back with her dancefloor eclectism: 4 tracks celebrating friendship with various producers & musicians and different approaches. BEST006 musical journey begins with a classic sample-based latin house track, including a cheesy Pleyel grand piano introduction. An oriental & electronic downtempo track follows, to bring some mystery on the classic foor of the floor pattern.B-side changes the rhythm with two breakbeat productions: deep & sweet electro on B1, and a funky jam to conclude, with the help of Paris jazzmaster Anthony Honnet for the fire synth solo.As always, a bunch of loops are included, for the skilled DJ to play with and to do your remix yourself.Limited to 100 copies with stencil handsprayed cover art.

Phnom Penh is a Japanese instrumental band. Their first single “Joy” is a perfect mix between no wave and balearic disco. In the lineage of the Yellow Magic Orchestra, Phnom Penh cheerfully mixes synth arpeggiators, drum machines & live instruments. On the flipside, for your extra dancing pleasure Dr. Dunks aka Eric Duncan (Rub n Tug, Still Going) took the song into a psyche disco excursion, with an hyponotic bassline and some killer breaks.