Mystic Jungle
Night Of Cheetah

Favorite Recordings presents this new single reissue released by SOL Discos, a new sub-label launched as a partnership between Pascal Rioux and DJ Waxist. Following their recent collaboration on projects like Lamar Thomas’ single and Caribbean Disco Boogie Sounds’ compilation reissues, Favorite Recordings offered the French DJ to become the coordinator and A&R of a new imprint aiming to reissue rare and forgotten music with a Tropical and Disco flavor: “Sunshine Music”…Today, SOL Discos is delighted to introduce its very first release, with this official 7" reissue of Hiram & Direct. Initially recorded and released in Detroit (Michigan), it has been a hard to find record since then, with only a little number of known copies floating around and changing hands within the Soul collectors / DJ scene.Musically speaking, the reissue has been switching tracks sides from the original release, putting the focus on “Love Flight” as the A side. Indeed, “Love Flight” has some strong dancefloor potential for any DJ into underground Disco & Modern Soul. Just listen to those synths! On the B side, you will find a different vibe with “Turn It Around”, an excellent ballad with beautiful vocals & harmonies. In the end, both tracks have nothing to envy to some of the best Soul classics.It’s with great pleasure and honors that SOL Discos and Waxist make this little known gem more accessible to today's music’ enthusiasts, through this legit reissue!

Libreville Records presents Totāl Cuevas, a seminal compilation album of legendary DJ Guy Cuevas's own music.Guy Cuevas is a French-Cuban writer, musician, and DJ, a pioneer of the art of modern DJing. A key figure on the Paris night scene, Guy Cuevas gained a cult status as the resident DJ of the mythical nightclub Le Palace, gathering thousands of people every night under his booth, shepherding them with his music towards euphoria. He also collaborated with a great number of Fashion brands, such as Yves Saint Laurent, Kenzo, Dior, Hermès and many more.In the early 80s, Guy Cuevas released a handful of records, channeling his hedonism and natural grandeur into his sound, creating a unique music of his own.Totāl Cuevas brings together music from his three singles Ebony Game (1981), Obsession (1982), and Gallo Negro (1984), and includes previously unreleased alternate mixes. Guy Cuevas’s most iconic output, "Obsession - The Nassau Mix" (mixed by François K) gets a fresh new reboot with "Obsession - The Paris Version".Remastered from the master tapes.

The inspirational intake and respectful tribute of and to Hindi Cinema Soundtrack artists Kalyanji-Anandji and R. D. Burman and the Simla Beat guitar organ psych records of the early/mid 70’s, coupled with the Italian silver-stringed heavy-funked composers Piero Umiliani and Stefano Torossi kaleidoscopically conjure the sounds brought to you by Pleasurewood in this 7” single.Firework is ushered in by a Hofner Beatle bass’s nasal clacking joyfully assisted by clapping hands through murky spring reverb.A breakbeat incantation to the sun scored with Farfisa, Guitar Wah and Arp Odyssey.Move! is a more pensive post-apocalyptic funk hymn with the instrumentation of piano, cimbalom and mellotron, plus the layered and flanged vocals of the composers Paul Elliott and Anthony Donje, with the instruction to ‘Move!’ by studio kingpin Buddy Elliott.

** Available exclusively at The Pusher **Comet Records presents Afro Rhythms Vol. 2, the first repress of Comet’s singles and Remixes from 2009 – 2017 with floor filler tracks from Tony Allen Afrobeat pioneer 'African Man" remix by Ricardo Villalobos & Max Loderbauer along with the afro deep house reedit of "Cotton’s Field" by French producer Jeff Sharel, the "Awakening" remix from Krazy Baldhead, former artist of Ed Banger and producer of electro malian band Donso and finally Africaine 808 to end this Afro Rhythms comp with their stunning remix of Afrobeat classic tune "Afrodiscobeat". A proper trawl through the vaults of Comet Records.

After being compared with Mayer Hawthorne on his first world acclaimed album, Treat Me Right, John Milk is back with Paris Show Some Love, a piece of modern and engaged R&B. Synthesis between J-Dilla and Prince, John Milk delivers a genuine and solid recording based on real to real tape machines and electronic soundsPreviously working as artistic director of his own record label (Ka Records) and collaborating as a singer with Patchworks and Blundetto (Heavenly Sweetness, Favorite Recording) John Milk is now on a new vibe, merging all kind of recording processes, live recordings on reel to reel 8 tracks Tascam, introducing beatmaking and hip-hop culture with numerous machines, samplers and keys … a musical patchwork which has been open to all kinds of experimentations.Songs where composed on top of instrumentals. The creative process is about delivering the right energy once the music transmits the appropriate atmosphere.All songs are focus on having catchy hooks as much as conscious lyrics.Paris Show Some Love is a message album. Creating music in the city of love during one of the most violent year for a longtime…this contradiction has been the fuel to his creativity. The song « Paris Show Some Love » is specialy dedicated to the tragic night of november 13th 2015. John Milk offers a personal vision on our capacity to find our way and moves beyond the lines and create.

After a few other successful projects, Franck Biyong, French-Cameroonian Afrobeat composer, guitar player and singer is back on Hot Casa with a hot futuristic Afro-Brazilian club anthem.The similarities and filiations between traditional West-African drumming and Afro-Brazilian religious musical rites are many: under colonial rule African people and African slaves outwardly practiced Christianity but secretly prayed to their own God, Gods, or Ancestor spirits. So we aimed at keeping the gritty urban menacing sound and poetry of Afrobeat with the percussive mass rumble of Batucada and poignant beauty of Carioca. We then got in touch with Cristina Violle, the first lady of “Samba de Roda” in Paris who graced us with a startling inspired and heartfelt melody. The first completed version of the song then briefly went on alternative radio, we also made plans to release a vinyl version, but for one way or another we shelved the project, without thinking we would get back to it again…until a few months ago.We went back to the studio last summer and started ironing the song again from scratch. That same initial spirit and energy caught hold of us again from the day we started and we worked relentlessly to create a balanced but experimental track, showcasing rootsy sound, pop instrumentation, tight world beat drumming, song structure, jazzy horns, spacey synthesizers, choral-like vocal harmonies with call and response figurative vocals.We now proudly present this brand new record; Like our predecessors years ago, we subconsciously did our best to keep alive a longtime tradition of cultural tradition of African Artistic Renaissance, pushing further musical themes of contemporary African sound. To be continued…