Les Belgicains
Na Tango Ya Covadia 1964-1970

Vaudou Game is a contemporary live band of 6 members playing an authentic Togolese funk based on voodoo chants scales, and led by Peter Solo, a singer and composer born in Aného-Glidji (Togo), birthplace of the Guin tribe and place of the voodoo culture. He was raised with those traditional values of human and environment respect.Apiafo is a 12 tracks album, entirely recorded, mixed and mastered with old analog tapes, and played with vintage instruments, recalling the sound of bands like Poly-Rythmo De Cotonou or El Rego! Peter Solo invited his uncle, Roger Damawuzan, famous pioneer of the 70’s soul scene in Togo, to sing on “Pas Contente” & “Wrong Road“. The result of their collaboration is without a doubt two amazing future dancefloor classics! The idea of integrating these haunting lines, sung in honor of the Divinities, to an energetic 70's Afro-funk style, was, in Peter Solo's mind, an obvious extension of the analogy he found between the voodoo tradition and trance inducers such as Soul, Funk, as well as the Rhythm ‘N Blues of James Brown or Otis Redding.Vaudou Game will be touring all over the world next year promoting this new Afro-Soul classic album!

Rare funk & Avant-Garde soul from a seven years old kid singer featuring the best of French and Cameroonian musicians diaspora, recorded in Paris in 1977.The album contains two nicely dramatic tracks:“Look Up in the sky (Negro nature)” is a stretched funk groove with psyche synth by Michel Morose, bubbling bassline by the great Victor Edimo, the famous Toto Guillaume on guitar, and a brilliant poetic song by Francis The Great, who at that time studied in Menilmontant (Paris).“Ravissante Baby (Negro Phasing)” is a long hypnotic funky soukous track with a tremendous lead guitar and a long spoken-word and soulful kid vocal about the beauty of nature.Originally produced by his father, a great impresario of African artists in Paris during the 70s, and coordinated by his mother, this album is unique, fresh and out of genre in a way! It’s universal Funk! Hot Casa Records is proud to reissue this holy grail after years of researches! It comes out in a deluxe LP including interview, and officially licensed with Francis Mbarga himself, in Yaounde (Cameroon).

Rare and in High demand Afro digital Soul EP, recorded in Abidjan (Ivory Coast) in 1981.Originally from Martinique, Clem Marise Voltine aka Mac Gregor moved to Abidjan in 1979 searching for, what she called, her “negritude quest”. She sang about her love for her adoptive city until her death in April 2004 at CHU of Abidjan, Trechville Hospital.A visionary composer, poet and singer, mixing Creole, French and Nouchi, she made a brilliant musical bridge between the West-Indies and Ivory Coast, backed by a soulful group of top Ivorian musicians such as the great Houon Pierre.This unique and must have record is a pure dancefloor killer and will definitely be the next Afro Tropical Hit of the next decade!Fully Licensed in Abidjan, remastered at Carvery Studio on a 12inch vinyl (45 RPM).

Sylvan Morris is the Jamaican sound engineer behind thousands of tunes and some of the best classics reggae albums. From the mid-sixties till the 90’s, he shaped a unique sound in the best studios. He’s done work for artists like Gregory Isaacs, Burning Spear, Augustus Pablo, Dennis Brown, Bunny Wailer, The Heptones, Big Youth, Ken Boothe, The Gladiators, Delroy Wilson and many many more. Sylvan Morris started his career at the famous WIRL studio (renamed Dynamics later) in 1966. He worked there for two years and then went to Duke Reid (Treasure Isle Recording Studio) for a couple of months. He decided to leave this studio because the neighborhood and the environment were rather harsh. In 1968, Sylvan Morris was 19 years old and he joined Studio One Recording Studio. There was a lot of rivalry going on between Duke Reid and Clement Dodd. Coxsone recruits him because he needed a good engineer to bring out a unique sound and a good ear to accompany the musicians and singers at the arrangements level. He started as engineer but became quickly producer and arranger of a lot of songs because most of the time, Coxsone wasn't even in the studio, as he was focused on auditions. After the Coxsone’s auditions, the artists were in the studio with Sylvan Morris, Jackie Mittoo, Leroy Sibbles most of the time. When Jackie Mittoo left the ship, it was Leroy Sibbles and Sylvan Morris who takes care of all the work. After six intense years of recordings and mixing, Sylvan Morris left Studio One around 1974. Sylvan Morris became resident recording engineer at Harry J. He did famous recording sessions like Bob Marley & The Wailers’ ‘Natty Dread’, making Harry J’s studio one of the most famous Jamaican studios. Unfortunately in the 2000’s, Sylvan Morris turned blind and needs a helper most of the time. The royalties from this project have helped him also to buy medicaments. Special thanks to Sylvan Morris, Delroy Melody, Tero Kaski and Pekka Vuorinen.

'They Are Dangerous' is the second song released by Senator Gary. The riddim was built by the late great keyboard player Winston Wright (1944-1993) and the vocal was recorded at Creative Sound studio. The tune was produced by Neville Reid who died a few years ago. Senator Gary is also called Imara, Abbasani and now he is voicing under the name of I-Maa-Raa. So the quest to find him was not so easy, thanks to Marshall Neeko for the help.

For its second release, NUBIPHONE is proud to present you SUNSHINE, a privately pressed Afro-Jazz-Folk UFO album recorded in 1980 by the Cameroonian Singer, Musician, Actress, Seamstress & Poetess LIZA NGWA.Individually-numbered Official Deluxe Edition, limited to 500 copies!Comes with a beautiful exclusive poster, a handwritten insert from Liza Ngwa herself with the lyrics of the album and a download card.