The In Crowd
Mango Walk

Few years before the international hit “Uptown Top Ranking”, made with his friend Donna, Althea Forrest recorded “Hey Mister” for famous producer (and singer) Derrick Harriott.Mid 1970's, Derrick Harriott is the best reggae-soul producer in Jamaica. He's made tons of US soul cover with Jamaican artists. “Hey Mister” was recorded at Federal studios (Tuff Gong nowadays) and didn't get an international audience, not even in Jamaica, probably because it was not a cover!For the first time since 1976, “Hey Mister” is now available on a Maxi vinyl 12'' to offer the best sound quality. Thanks to Derrick Harriott's master tapes and to the original artwork, now you can play this tune in the perfect condition.

French renowned reggae producer Mato is back with a new killer volume of the “Hip-Hop Reggae Series”.Stix Records rounds up all recent Mato’s 7inches anthems into this extended player, with all the cuts remastered for the occasion.The Mato’s touch?: Remixing the biggest Hip-Hop and R&B tunes with choice reggae backing tracks. As usual he’s blended all of the tracks to perfection, and ready to rock any party.As well as his recent 7inches, which included hits such as “Danger” (Blahzay Blahzay), “Still Dre” (Dr Dre), “Remember We” (Da Bush Babies), or “I Know What You Want” (Busta Rhymes), this collection also includes four unreleased hits: “Gangsta Lovin’” by Eve, “La Saga” by IAM, “Whateva Man” by Redman and “Off The Books” by The Beatnuts.Woop woop, that's the perfect sound of reggae-hip hop ready to hit the dancefloors again!This is definitely one you shouldn't miss !!!!!

Sylvan Morris is the Jamaican sound engineer behind thousands of tunes and some of the best classics reggae albums. From the mid-sixties till the 90’s, he shaped a unique sound in the best studios. He’s done work for artists like Gregory Isaacs, Burning Spear, Augustus Pablo, Dennis Brown, Bunny Wailer, The Heptones, Big Youth, Ken Boothe, The Gladiators, Delroy Wilson and many many more. Sylvan Morris started his career at the famous WIRL studio (renamed Dynamics later) in 1966. He worked there for two years and then went to Duke Reid (Treasure Isle Recording Studio) for a couple of months. He decided to leave this studio because the neighborhood and the environment were rather harsh. In 1968, Sylvan Morris was 19 years old and he joined Studio One Recording Studio. There was a lot of rivalry going on between Duke Reid and Clement Dodd. Coxsone recruits him because he needed a good engineer to bring out a unique sound and a good ear to accompany the musicians and singers at the arrangements level. He started as engineer but became quickly producer and arranger of a lot of songs because most of the time, Coxsone wasn't even in the studio, as he was focused on auditions. After the Coxsone’s auditions, the artists were in the studio with Sylvan Morris, Jackie Mittoo, Leroy Sibbles most of the time. When Jackie Mittoo left the ship, it was Leroy Sibbles and Sylvan Morris who takes care of all the work. After six intense years of recordings and mixing, Sylvan Morris left Studio One around 1974. Sylvan Morris became resident recording engineer at Harry J. He did famous recording sessions like Bob Marley & The Wailers’ ‘Natty Dread’, making Harry J’s studio one of the most famous Jamaican studios. Unfortunately in the 2000’s, Sylvan Morris turned blind and needs a helper most of the time. The royalties from this project have helped him also to buy medicaments. Special thanks to Sylvan Morris, Delroy Melody, Tero Kaski and Pekka Vuorinen.

In the 80s, a Nigerian DJ named Hycentto Junior was notorious for making Onitsha people dance on his grooves. Soon, influenced by U.S hip-hop artists, he began rapping on top of the music he played.His eccentric style drew the attention of the biggest name, and the famous Nkono Teles decided to work with him on his next LP, Mama Groove. Their project was released in 1991. Due to unfortunate circumstances, the number of copies available was really low, making it very hard to find.More than 25 years later, working for a motor company, Hycentto met online with French music passionate collective “Lorem Ipsum”, that had randomly found his Mama Groove LP.The result is a reissue auditioning all the 1991 Mama Groove’s tracks and two bonuses selected from his first 1984 album, At A Party Last Night. The unique variety of sounds and genres, covering Electro Hip-Hop, Digi Reggae and Disco-Funk, will carry you from poolside to late night dancefloors!

Emotional Rescue and Jamwax come together to present the first of three essential 12”s from NY/Jamaican label Capo Disco, all officially licensed and remastered for the first time. The brainchild of reggae vocalist, musician, producer and label owner Glen Adams, the label married disco with his Caribbean roots to perfection.Born and raised in Jamaica, Adams story is a similar one to the performers of the golden period post-Independence. Initially discovered as a vocalist by Coxsone Dodd, he went on to work with such luminaries as Ken Boothe and Stranger Cole before co-founding The Heptones and working Duke Reid, Bunny Lee and Lloyd Charmers.As a session organist he worked for The Hippy Boys, The Reggae Boys and later with Lee Perry’s The Upsetters. Here he came in to the orbit of The Wailors, touring England with them in the early 70s and with Perry co-wrote Mr Brown. When most of The Upsetters became Marley’s rhythm section, Adams stayed with Perry before making the move to Brooklyn in 1975.There he started Capo Records, running it and it’s sub-labels, successfully until the mid-80s. During these later years he ventured in to mixing Reggae with Boogie and Disco rhythms and released just four 12”s under Capo Disco as well as recording boogie and hip-hop influenced releases with T Ski Valley and as Glen Adams Affair for SAM and Moonglow Records.Here then the spotlight is on Adam’s nascent disco releases and the series starts with the wonderful, uplifting A Beat For You. Actually appearing on a one off sister-label, Top Secret, this is a beautiful “Lovers” anthem from Adams over a laidback dub-bass riddim. Backed with a simple instrumental Version, the space and interplay of the keys and guitar over drum and bass is superlative. “There is a beat in my heart, just for you…just for you.”