Sven Wunder
Natura Morta

French multi-instrumentalist Teddy Lasry's story is noteworthy not just in regards to the music he released, but in the ways that he approached the craft of composing and experimenting with sounds and sonics. Always intrigued with the capabilities of instruments, their groove and their feel, it was very much his family’s influence that helped to fuel these lifelong affections. As a performer in a Parisian cabaret, Teddy’s father Jacques would mingle with giants like Serge Gainsbourg and Charlie Chaplin (impressed by his ability to improvise, Chaplin wanted him to become his accompanist, but the pianist politely refused). Jacques and his wife (Teddy’s mother Yvonne), would later become members of the innovative experimental group Les Structures Sonores, and surround their children’s lives with sounds. Electronic music was still in its infancy and Les Structures Sonores, with their resonators that produced long, mysterious tones, were deemed ‘cosmic’. It was the era of the launching of the first Russian Sputnik and every time a radio or television station wanted music for their science fiction programs, they turned to one of their compositions. Showing a natural ability with multi instrumentalism, Teddy was rewarded with a spot in the band, allowing him to really explore unconventional methods of composition. Following a brief stint with Ariane Mnouchkine's avant-garde Théâtre du Soleil after graduating school, Teddy joined the pioneering prog band Magma, with whom he would record three groundbreaking records during the early 1970s (According to former member Laurent Thibault, their album Mëkanïk Dëstruktïẁ Kömmandöh and its sound were strong influences on David Bowie during the recording of Low and Iggy Pop’s The Idiot at Hérouville). Despite the successes with these projects, Teddy was constantly searching for new ways of expressing himself through music, leading him into the beginnings of a solo career that would last the better part of three decades. Teddy’s transition into his solo career came with contrasting fortunes, in that he was now becoming a music to image composer but with the unfortunate realisation that his eyesight was gradually worsening (due to being diagnosed with retinitis pigmentosa at an early age). Nonetheless, his solo career would begin in 1975, and for the rest of the decade, his sound would become increasingly mired in electrified Funk-Fusion and its endless sonic possibilities. The resulting music would serve to highlight Teddy’s love affair with the possibilities found within tireless instrumentation, with the flute and particularly synthesisers becoming a mini-obsession of his (he once spent a 7,000 Francs loan, which was meant to be spent on fixing his roof, on synths). To this day Teddy continues to record and experiment with music, a passion which in many ways has never left his side, even at the age of 75. His career was one that was fuelled by innate curiosity and an intrinsic desire to discover new methods of expressionism, be it through the realms of Jazz-Funk, ambient electronics, Swing music or indeed through the medium of instrumentation itself. On this compilation, we look to encapsulate the essence of his innovative sound, and from start to finish a sense of his ingenious approach to composing structure and mood is made abundantly clear. The funk-jazz fusion style that embodied the majority of his 70s work is on full display here, with the vibrant flute driven "Los Angeles", the Miles Davis inspired "Blue Theme", the progressive and driving "Chamonix", and the deeply intricate "Krazy Kat", along with one of his finest 80s slow jams, "Funky Ghost". Two cuts off the ‘Back To Amazonia’ album are also featured (Teddy’s last album including his Prophet T8, Yamaha DX7 and Oberheim drum machines). "Raising Sun in Bali" and the title piece both emphasise an ever-present passion for synthesisers. "Birds of Space", a standout track off the e=mc2 album, closes the comp, and is a fitting way to end this journey.Pulled together in close collaboration with Teddy and his family, this collection of songs looks to introduce new listeners to his work and we are proud to present this limited and carefully remastered compilation on vinyl, including extensive liner notes.

** Available exclusively at The Pusher **After their debut album Space Voyage for Warner Chappell, Eleven76 are back with a new album commercially available for the first time entitled Occhio Occhio.The album contains insect-themed outernational grooves with tropical and Arabian flavours and smooth and buttered tunes with soulful vibes that are reminiscent of classic European library music. Vintage synthesizers and hot tape-recorded drums continue to lead Eleven76's mystique, with travels through funk territories and all the while frenzied percussion-heavy break beats keep b-girls and b-boys moving on the floor.Including the sold-out first two singles "The Scarab’s Quest" & "The Hornet’s Nest" plus 3 exclusive tracks for this vinyl edition.

FIRST OFFICIAL REISSUE OF ONE OF THE MOST SAMPLED TURKISH RECORDS IN 45 YEARS! SAMPLED BY RAP LEGENDS LIKE SCARFACE OF THE GETO BOYS. TURKISH PSYCHEDELIC MASTERPIECE FROM 1980Licensed from "Warner Records Sweden" and remastered from original material in Warner Record's vaults by Shawn Joseph at Optimum Mastering Bristol. 180 gr heavyweight vinyl Manufactured in Optimal Berlin. Recorded between Istanbul and Stockholm, it captures the era between Okay Temiz's Don Cherry Trio touring and his own band Oriental Wind's sensational debut. Mentioned distinctive elements have elevated the record to 'cult' status among record collectors, sample enthusiasts, and diggers around the world.By 1980, Okay Temiz had already embarked on a series of dynamic collaborations and sound experiences with Don Cherry as a member of the Don Cherry Trio. This period included a noteworthy summer in the early '70s at Dartmouth College in New Hampshire, hosted by Jon Appleton, a notable American composer and visionary in electro-acoustic music."During that summer, Jon asked me, 'What kind of sound do you have in mind?' I had already given this considerable thought, using a tape recorder to capture sound frequencies influenced by the moon's position. Jon Appleton's question made me think about the extension of 'Organic Music Theory,' which we were exploring with Don Cherry at the time."In 1982, Okay Temiz recorded the most comprehensive answer to 'What is Turkish Jazz?' at the Montreux Jazz Festival (CAZLP 004) with his band Oriental Wind, featuring Bobo Stenson (of the Jan Garbarek - Bobo Stenson Quartet), Palle Danielsson (of the Peter Erskine European Trio), and Lennart Åberg (of the Scandinavia New Jazz Group).In 1980, without fully realizing he was navigating between these two worlds, Okay Temiz entered Stockholm's renowned Metronome studios to record the 'sound in his mind' as a solo artist.`Drummer of Two Worlds` is a star map of Okay Temiz's musical worlds. Blending elements from the grand piano to his handmade drums, and from the amplified Berimbau to his cowbell array, weaving Turkish rhythms like 9/8 and 7/8 with the universality of 4/4, it presents a unique sound narrative that resonates with the dimensions of a well-traveled mind."Haluk Damar

Transversales is a French label based in Paris founded by Sebastien Rosat & Jonathan Fitoussi. Transversales is specialised in the reissues of long lost tapes, rare original soundtracks and library.Jonathan Fitoussi is a French composer residing in Paris. He works on minimalist and contemporary musical forms. He's also audio restoration engineer at INA & INA GRM. Sebastien Rosat is a French Music Supervisor working for Films, TV and Advertising. He's also a member of French electronic duo Sommet.First ever LP reissue of this timeless masterpiece by Philippe Sarde, the most versatile and talented French film composer. Les choses de la vie, an outstanding score which offers both the wonderful “Chanson d'Hélène” and most of the musical features which appeared later in Philippe Sarde's musical career : Nostalgia, melancholy, experiment and sound discord.Les choses de la vie is the film which confirms Sautet as a genuine author and Philippe Sarde as a rising composer. This is also the start of a long partnership that spanned twenty-five years and eleven films.Including the previously unreleased versions of “La Chanson d’Hélène” performed by Romy Schneider and Michel Piccoli in Italian and German. Also Includes Stéphane Belmondo’s version of “La Chanson d’Hélène”.Limited Edition Remastered from the Original Master Tapes / Exclusive liner notes

** Available exclusively at The Pusher **Transversales Disques proudly presents Ahmad Jamal Trio, Live in Paris 1971. Never heard before ORTF recordings performed live at studio 104, Maison de la Radio, Paris. This is the first official release with the full permission and cooperation of the National Audiovisual Institute (INA) coming in a Deluxe Edition - Classic Tip-On Jacket. Including exclusive pictures. Mastered from the original master tapes.« While be-bop musicians practise one-upmanship in terms of speed, Ahmad Jamal develops a crystal-clear touch and praises silence: "I was an angel among devils! The boppers made notes explode. I let them resonate until the end of their lives".A reputation as an artist on the fringes perhaps explains this lack of fame he suffered at one time. But despite the great whirlwind that is his life, Ahmad Jamal declares that he is searching for peace: "The quest is that of musical and internal peace. I cannot acknowledge that I am at peace, it would be dangerous to show it. A man at peace with himself doesn't say so".If you cannot say it, you can hear it, especially during his first concert in Paris in a trio. Here we are transported to the upper echelons of the art of the trio: the master of the piano, in studio 104 of Broadcasting House, is surrounded by brilliant accomplices, Jamil Nasser on double bass and Frank Gant on drums... » (Jérôme Badini, France Musique).