Ebo Taylor
Twer Nyame

Nairobi, Kenya, 1978. In the Phonogram Ltd. music studio, the popular Congolese Rumba band Les Mangelepa is finishing a session. Things are going well: they have recorded all the music they planned and still have an hour to kill before giving back the studio keys. How about improvising one last song on the spot?And this is how “Nyako Konya” was born. An incredible 9 minutes hypnotic jam, that’ll eventually become one of their biggest tunes, earning them a Gold record and international acclaim throughout Africa.Meticulously restored and remastered by French engineer Nicolas Thelliez, the original version is featured here together with remixes by three talented producers: French House/Disco producer extraordinaire Yuksek and his wall of sound skills, Netherlands’ Afro lovers and world famous studio maverick Umoja delivering a space dub Lee Scratch Perry style, and last but not least, the trademarked syncopated stabs from Brooklyn’s Uproot Andy.

Ecstatic brass, 70’s keyboards, elastic guitars, round bass and world percussion: from this sonic heritage, Ireke makes a unique fusion, enhanced by the audacious contribution of his dub science, and a few electronic touches.

African, funky, sarcastic, bewitching, green, ecstatic: these words collide to describe Vaudou Game and all of them are true.Noussin is the fourth album of the french Afro Funk band. Forced into lockdown, like much of the planet, Peter Solo and his Vaudou Game had no choice but to retreat into the studio. A reunion to once again invoke the spiritual forces of the Voodoo Deities. A reunion that was Initially imagined for an EP…yet these spiritual forces behind that imagination yearned for something more, and as we all know, these forces are impossible to push away once they have decided to stay. Under the strain enforced by the current socioeconomic climate, as much as by the environmental peril that faces us all today - they diverted the course of the groove towards daring new vibrations. Without extinguishing or diminishing its highly communicative power, they released Vaudou Game from its origins of pure Afro-Funk to gradually engage into compositions which crystallized themselves into tones resembling more rock than funk. On this fourth album, with an entirely revisited line-up, Peter Solo separates for the first time in his career from his brassy guard, leaving saxophone, trumpet and trombone outside to invite an arsenal of keyboards to define, with him, this new voodoo sound. A sound, as usual, built on vintage and precise analogical material - grime even on the white side of the tape, a blunt instrument used to blanket anything that strived to shine too much in the mix.Graced with tapered guitars stringing out rhythmic bumps or withdrawing a few beats to indulge in infectious solos, this album is boisterously alive with vintage 70's Funk, infused with a few digressions into other ethers of the funk timeline, nicking different sounds and frequencies to render the black and white keys of an inspired keyboard to reach new euphoric levels of melodic acidity. Tearing off the enigmatic mask to reveal his true face: on a few titles, Peter Solo ventures outside of his sacred voodoo range to reconnect with his London years, these titles feature small nods to the time he spent in “The Smoke” where the incantations of British music culture were written within him.Noussin which means “Stay strong” in Mina, a dialect spoken in the south-west of Togo. Noussin, a message of hope as much as a call to come together to weather the turmoil and to come out better on the other side. Don’t let them grind you down…Noussin!

Completing the recent LP reissue of Black Voices by Tony Allen, Comet presents a 2 tracks remix EP by Folamour and NIT. The two rising French producers provide great new versions of “Get Together” and “The Same Blood”.FOLAMOUR: Behind this surprising name is hidden one of the main House producer and DJ from France. Label manager of the amazing record labels Moonrise Hill Material and FHUO Records, the artist using lots of different aliases has already burnt most of the best dancefloors in Europe and beyond. 2017 has been an important year in his career with releases on Church and Glitterbox labels, and a debut album on Moonrise Hill Material and Classic Music Company, after a whole series of successful records on quality labels such as All City Records, Fauxpas Musik and Sleazy Beats Recordings. Working on his second album after two EPs upcoming soon, it makes no doubt that it's only the beginning for Folamour.NIT: NIT is the studio project of the French musician Corentin Kerdraon. After several years working at radios in Paris he released a first EP called Dessous de Plage in May 2017, displaying condensed grooves with multiple references, from Jean-Claude Vannier to Dam Funk... Alternating Pop projects and more experimental compositions he's present on different musical scenes as keyboard player and producer. He has just recorded an EP for the American singer COLA BOY released in spring 2018 on the French label Record Makers.

** Available exclusively at The Pusher **Nyami Nyami Records presents a reissue of a rare gem from the Gramma Records catalog , the historic Zimbabweean label. Dumisani Maraire, the leading creator of modern mbira, settled in the USA in the late 60s where he popularized the traditional music of the Shona people. Tichazomuona is the first album he recorded in liberated Zimbabwe, in 1986, with his wife Maichi and daughter Chiwoniso.You can hear the very young singer on lead vocals on the title track, long before she went on to perform solo on the international stage.We launched Nyami Nyami with her last recording Zvichapera and are happy to also release now her very first.