Cristina Camargo
Moral Tem Hora / Minas Do Rei Salomão

Parisian label Chuwanaga is proud to present their latest 12-inch series release from Jéroboam, "Brexit Funk / Peckham Night". The band, also known in the streets of Paris and Montreuil as Echoes Of, is celebrating Britfunk and the rich musical heritage of Greater London, reflecting their deep appreciation for the iconic Britfunk sound. After several successful collaborations celebrating the genre with the label at the infamous New Morning venue in Paris, Jéroboam has crafted two brilliant compositions for this EP."Brexit Funk" is an electrifying homage to the classic London Jazz-Funk scene of the late seventies and early eighties. It is a tremendous track, reminiscent of the early sounds of Incognito and Freeez, infused with the energy of Hot Cuisine and Hi-Tension. It features a standout brass section, amazing solo performances, and a strong rhythm section. Having played in London and now across the whole UK, the band decided to ironically name this track as a musical memory of this strange transition.On the B-side, you’ll find "Peckham Night" and its dub version, an outstanding composition that perfectly emulates the late seventies soul-jazz vibe. Beautiful vocals by singer Agyei blend seamlessly into this perfect composition. All along, you really feel the band coming together, bringing out the best of their soul. It really is the work of passionate and experienced musicians who have built strong confidence playing together for years.Jéroboam is a group of 10 Parisian funkateers recognized as one of the biggest funk outfits on the current French scene. They already boast extensive live experience and a solid reputation between Paris and London. In addition to their original and popular tributes to American funk cities of the 70s-80s, they have also gained attention as a formidable backing band for Howard Johnson, Junior Giscombe, and Kyoto Jazz Massive. Having also released two highly acclaimed EPs on the Space Grapes label, they continue to work on their own original compositions under the name Jéroboam, with their debut album scheduled for release in 2025.

For its new release, the Parisian crew Discomatin picked a lesser known banger of the boogie era, Maudit DJ by Clara Capri. Produced in Belgium by Jay Alansky with lyrics written by his sidekick Jacques Duvall, this EP brings together an Italo discoesque bassline surrounded by shiny synths and irresistible guitar licks. On top of that, Clara Capri sings with a high-pitched voice. Maudit DJ is a real celebration of the nightlife.Fortunately, it’s brought here with all 3 versions transferred from the original tape masters: the extended “Version Longue” with its great introduction sounding like strong early house, the shorter “Version 45 Tours” if you’re in a hurry and, last but not least, the instrumental version for those too shy to play the vocals. But let’s head back to the 80’s: Jay Alansky and Jacques Duvall are having a real success. They just produced famous Belgium female artist Lio’s first hits and have access to Dan Lacksman’s studio in Brussels - member of Telex with Marc Moulin. During this euphoric period, they met Clara Capri, a young Italian girl really crazy about Disco, swearing only by Giorgio Moroder or Chic. Her two buddies decide to concoct her a real hymn to the dancefloor. For them it sounds like the perfect time, considering the duo always dreamed of being like a shadow production team, just like Motown’s very own Holland-Dozier-Holland. With a great care to the production and the sound and with the best technologies from the era, they managed to create this French dance music attempt, at a moment when nobody was speaking about French Touch.Thanks to Discomatin, it’s now available to the real connoisseurs with an exclusive insert which contains lyrics, again with fantastic illustrations from french artist Camille de Cussac.

** Available exclusively at The Pusher **Born in a Gambian griot family, kora virtuoso and afro-fusion pioneer Jally Kebba Susso has been active in the UK music scene for twenty years. While based in London, he has tirelessly, through both personal and collective endeavours, built a singular musical identity by working hard on making the timeless Mandinka kora, an instrument he's been playing since his youth, sound like never before, combining the ancient West African strings with forward-thinking aesthetics and myriad of musicians and producers from the thriving London music scene such as Onipa, Dark Sky and Kay Suzuki.Jally Kebba Susso has already released two albums as a solo musician ("Malaye Warr", 2012 and "Banjul - London", 2017), as well as a member of the successful afro-fusion band Afriquoi, whose latest EP has garnered a very wide support, culminating in several million streams and performances on some of UK's biggest festival stages (Boomtown, Glastonbury).Freedom! A heartfelt shout expressing the newfound joy of an African musician whose working conditions, despite his long-standing roots in the London music scene, have sometimes been precarious. A newfound freedom to be able to look ahead and fully persue one's need of self-actualisation. Hence this new EP, written with the help of Jally's accomplished band members (Yuval Juba Wetzler, Nim Sadot and Oli Arlotto) and produced by Tom Excell (Onipa, Nubiyan Twist), whose 4 tracks all deal with topics (identity, homesickness, family, social justice) which are dear to Jally's heart as a Gambian native and West African musician settled in Europe.A pleasant atmospheric opener, "Wulu Doula" rides on a classic Afrobeat groove, while Jally reminds us how we are only what we become, no matter where we come from and who we inherit from. "Justice" is a stomping mandinka funk hit, in which "freedom, equal rights and justice" are claimed by Jally for all fellow artists and musicians from the West African diaspora working in Europe.Clearly anchored in Gambian music tropes and reminiscent of the pioneering mandinka fusion of Ifang Bondi, "Fakoly" tells the story of Jally's family lineage, as a member of the 74th Susso generation. As Jally puts it, "being a griot is a way of life". Homesickness can be a bitter feeling. But you can turn it around. That is exactly what Jally achieves with "Banjul", a cheerful, funky tribute to the Gambian capital, in which Jally grew up, learning words of wisdom from his elders.

Magic Source is a project led by producer Björn Wagner (The Mighty Mocambos, Bacao Rhythm & Steel Band, Mocambo Records), who is renowned for creating an authentic and hard-hitting raw funk sound. Following a few acclaimed single releases on Favorite Recordings over the past few years, the French label deeply wanted to collaborate further with the German combo, for a special and exclusive project bringing their music on new paths. This new project is a step towards a new style: Analog-Electronica, or so called Cosmic-Disco sound.Recorded on a 16-track reel-to-reel tape, EARTHRISING combines raw unedited live band recording, with the refined production aesthetics of the Disco era, including the use of vintage synthesizers, group chants and processed acoustic percussions, for an organic club feeling. While maintaining an un-edited, but highly hypnotic four-on-the-floor groove, Magic Source leaves the old beaten track of cheesy Disco-Pop and overheard Dance classics.The music is an unusual and surprisingly coherent mixture: Earthrising unites rootsy Afro elements (such as almost tribal chants, percussions and a funky rhythm section), with sci-fi score soundscapes (such as ethereal synthesizers, Theremin and space echo and miniature instruments) to an irresistibly grooving beat extravaganza."Cosmic music" was known exclusively in the region of north Italy, Austria, and southern Bavaria until recent. Originally an eclectic DJ mixing style that evolved in the late 70s, it combined Disco, Ethno groove fragments, Electro, Afrobeat, Dub, Italo, Funk and Exotica weirdness to a trancy and danceable turntable symphony.Magic Source creates its very own all-live version of Cosmic. Though you will rarely hear anything similar from any other band, there's hardly an eclectic style that sounds more natural than the wonderful that is Earthrising.

The Balek Band and Abstrack Records's first album, Médecines, is the product of a magma of influences, the emanation of large decade of music infused lives. The emotional tessitura is wide: the dark meadows of “The Balek Bad” reach us through like a mantra from the end of a dark tunnel, while just three track earlier it was a caribbean Zouk euphoria which ruled the world. Inbetween, it’s a wide spectrum of hybrid epiphanies : "Hagen & Again" is a progressive Dub jewel, even Krauty to an extent, where the instruments play the lead role. "Cosmic Barry" is across the Channel : thick and broken club music, sweating with subs, yet always disputing it to the Funk accent of the the keys and the slap bass. This list of geographical and stylistic hybridations simplys goes on, and it’s the 54 minutes of the album that put an end to it. But beyond the never-ending list, this first album is alive: its gets us breathing the therapeutical air which fills the world of its creators.

Behind the name Mr Day, lies a band led by singer, guitarist, DJ & collector Eric Duperray. From the mid-90's Eric begins to make a name for himself with the group Kool Cats Club and tours a lot in the Acid Jazz scene, repeatedly making the first part of the label's leading bands like Corduroy or Mother Earth.In 2003, Eric works alongside Bruno "Patchworks" Hovart, a real starting point for a collaboration that will take them on very different playgrounds, with notable successes including, among others, the classic "Yonuwhathislifeez" under the name Metropolitan Jazz Affair, the incredible 45s "Seven Nation Army / Move On Up" by The Dynamics, the recent hit by Mr President, "The Best Is Yet To Come" or the track "Food For Soul" available on this new album, and which already received recognition before its release (international ad soundtrack for Nespresso, compilation Psyche on Acid-Jazz and finally the soundtrack for Alexander Coffre's latest movie).Meanwhile, Eric and Bruno formed the band Mr Day in 2007, with experienced Jazz and Rock musicians. Without waiting they release a series of 45's, EPs and start touring, which leads to their first album, Small Fry, released in 2010 on Favorite Recordings. Small Fry not only receives a warm welcome, it also lays a solid foundation for a real band and a unique sound.Today, the project Mr Day keeps affirming itself. During the writing of this second album, the band evolved naturally towards a more ambitious sound which clearly set them at the intersection of Rock and Soul from the 60s to now. The band also decided to use 100% analog production and recording techniques: magnetic tapes, live takes and cracklings contribute to producing a rich and organic sound. However, Mr Day is far from being a revival band. On the contrary, Dry Up In The Sun appears resolutely timeless, that is to say in his vintage, yet modern approach. The beats perfectly coexist alongside the guitars, as in the great era of Primal Scream in the 90s. The alchemy seems perfect and natural on each of the 10 tracks that make up this inspired and mastered sophomore work.