Ago Gazo
Ago Gazo

Buddy Sativa, known for his skills as a beatmaker, has just dropped his first album as producer-composer of an exceptional jazz opus.After more than 10 years messing around with music, the self-taught musician orchestrated this magnificent solo project with the help of vintage sounds and modern techniques, blending African and even classical influences. The result gives the impression that a plethora of musicians has come to pay tribute to the jazz gods and take part in the mystical experience of this album. The sheer beauty and emotion is breathtaking, as the famous Gilles Peterson has confirmed by playlisting 2 tracks…

Deux Filles was not, in fact, two girls despite what the group name and its elaborate hoax of a backstory suggest. No, they were not Gemini Forque and Claudine Coule, French women who met as teenagers under tragic circumstances and became fast friends, recording two albums together before disappearing into the ether. In reality, Deux Filles was Simon Fisher Turner and Colin Lloyd Tucker, a UK duo who first worked together in an early incarnation of The The. Straddling the line between experimental and pop, Turner was an actor and teen singing star who later composed soundtracks for the iconic queer filmmaker Derek Jarman while Tucker’s career began as an engineer for the famed UK library music studio, De Wolfe, before forming experimental wave group The Gadgets. In Deux Filles, the duo found an outlet for their least commercial tendencies, combining lo-fi proto-dream-pop instrumentals with samples, tape experiments, ambient textures, and drum machines. Even in the vibrant, seemingly endless well of UK DIY, Deux Filles stand out.Double Happiness is the duo’s second album, originally released in 1983 on their own imprint, Papier Maché. Full of meandering guitar and with a more ominous tone than the debut, the album is recommended for fans of Durutti Column and Thomas Leer & Robert Rental’s The Bridge.

Detroit/Chicago and odd techno/house sounds influenced French producers Marius Cyrilou and Popodi Venturi to come back with a new banging crossover project called MOTORBREMSEN. Marius and Popodi already had many digital and vinyl releases on various labels like People Potential Unlimited records, Omega Supreme Records, Outrun records and on their own labels, La Maison Venturi, Bazaar Records under the names of Spaced Out Krew, The Ceeofunk Band or Westbrook (and many others more).This 5 tracks EP gathers many influences such as Theo Parrish, Moodymann ("So Confused") or Drexciya-n sounds ("Sanctuary"). Some deep and dark bassy house mood concludes this ep ("Human Freaks" , "Riding Over The Darkness"). Besides this, the marvellous voice of Mae Rojas (The Ceeofunk Band) comes with a sensual touch on the track "Tiger Prey (Radio Edit)". This EP gives an instant deep feeling of a happy-to-sad mood, with mysterious and sexy moments.On A1 "So Confused", Don’t be confused, this is music to drive by in the hood with your low-rider. Gangsta boogie house at his climax for fans of Moodymann, Theo Parrish and all the raw house music mood. On A2 "Tiger Prey (Radio Edit)", with the help of Mae Rojas (Cee-O-Funk Band) on the mic, Motorbremsen keep pushing their unique vision of house music : soulful but raw, relaxed but not so slow, catchy but weird at the same time. On A3 "Sanctuary", let’s get on an electro-funk territory here. The guys explore a sound that can be rooted in seminal Arthur Baker’s productions and Drexciya’s mood but this a strong psychedelic feeling that is truly unique. All this comes with the special Motorbremsen’s touch of course. One for the B-Boys on acid... On B1 "Riding Over The Darkness", get in the D’s train for a cruise. Laidback house with a monstrous bass and this almost G-Funk feeling. Hmmmm… delicious ! One for the lovers. On B2 "Humanfreaks", let's get a bit darker. What begins like a bumpy beat get you little by little in real moody trip in a hot warehouse. Detroit techno muscular funk-infused inna 2021 style (by two guys who never listen to a Transmat record of their lives).

Eight years deep into their existence, Paris-based Mawimbi are proud to present their debut album Bubbling. Through their own label and events, the collective have championed up and coming artists who look to fuse african music with the modern dancefloor. They’ve released records from Lya, Onipa, Afriquoi and James Stewart and brought established artists and fellow travellers to such as Auntie Flo, Africaine 808, Awesome Tapes From Africa and Esa to Paris. Now it’s time for the collective to unveil their identity as producers and musicians in their own right.“Bubbling” refers to the many ideas, encounters and projects that the collective have come into contact with over the past years. Through their events and their work as label curators and remixers (for artists such as Oumou Sangaré, Blick Bassy, Cerrone, Onipa), Mawimbi have become known as ambassadors for “afro-electro” - whatever that might mean - and their debut album buzzes with the contagious energy of the music they love. If you ask Mawimbi, Afro-electro is about global and local inspiration, from both sides of the Black Atlantic. It’s about paying tribute to the forefathers and the brothers and sisters in arms across the world. Afrobeat, highlife, South African bubblegum pop, Malian music, maloya… Bubbling seeks to connect geographically separate but spiritually similar club sounds.Hence “El Caribe” (feat. Ghetto Kumbé) is half cumbia, half Carribean dancehall, while “Ngana” (feat. Fatim Kouyaté) has some elements of dub music and “Kakraa” (feat. K.O.G) nods to disco‐infused Ghanaian productions from the 70s. Despite the influences, this is a record designed for home-listening, a nod to our present circumstances, but also a deliberate step away from dancefloor. A moment of patience and reflection as much as joy and celebration.`Above all, Bubbling is a personal record, about unexpected cross-pollinations and the collective’s individual explorations of these musical territories. Mawimbi's own history is one of coincidences and chance encounters, and so is “Bubbling”. All the collaborations were born out of the connections made over the last 8 years. A WhatsApp chat with Zambian artist Mufrika, a spontaneous studio jam with Ghetto Kumbé in a Parisian Basement: these are captured moments of real, vital connections made.Like Mawimbi itself, Bubbling is a collage of relationships and shared experiences, shaped by nascent friendships and musical encounters. It’s a truly DIY document in that sense, the sound of the last eight years of the Mawimbi adventure: free spirited, passionate, warm and generous.

The French-Hong Kong DJ and producer Romain FX, founder of Fauve Radio and Fauve Records, debuts on Cracki Records ! After having made his mark on renowned labels such as Exploited, Eskimo Recordings, Novaj 新し, LAGASTA, Fantastic Voyage, Mamie's Records or Hard Fist Records, the ultra-productive artist is about to release Le Sucre d'Adam a new EP of 4 tracks and 2 remixes with the Parisian label Cracki Records.Mixing Italian dream house, jazz, and Italo Disco, Romain FX wanted to create with this EP a timeless record and convey a message of hope for a better world. The first track "Zeste d'Orange" is full of joyful emotions, with a feeling of unity and sharing, strongly influenced by 80-90's pop songs like "Rise Up" by The Parachute Club, and "Send Me On My Way" by Rusted Roots.With its melancholic keyboards, "Le Sucre d'Adam" is a pure concentrate of Italo Dream House, and it's not a coincidence that Romain FX entrusted the remix of the track to the German Lauer, specialist of the genre. "Italominati" with its powerful bass, draws him in the field of the fairy, influenced by artists like Todd Terje or Skatebård. It is the Korean producer Shubostar, new figure of the dark disco scene, who took care of the remix for a very effective cosmic version ! Last track of the EP, "Crave Cave Rave" with its Rave UK and progressive house accents was imagined as a long DJ Set closing. Intense and heavy at the beginning, the track ends with a feeling of extreme release, closing the EP in the most beautiful way.