DjeuhDjoah Lieutenant Nicholson
El Niño / Fontaine (Drink Drink)

African, funky, sarcastic, bewitching, green, ecstatic: these words collide to describe Vaudou Game and all of them are true. Bella is the first vinyl single derived from the upcoming album called Noussin, due to be relased June 11th 2021. "Bella" is a smashing summer hit, sang in Mina and french. It's an ode to the nature and love in this hard times. "Be My Wife" on the B side, is a trip into a rock /funk universe with an uptempo twist rythm, sang into the voodoo harmonies.Composed in Lyon on 100% analog equipment during the lockdown, those two songs might be the funky nuggets of all DJ's and radio playlists.

Favorite Recordings proudly presents its new series of 7" reissues with the following concept: each side dedicated to one Funky French track coming with its original artwork. You just have to flip it!On the first side comes "Givin’ It Up" by Belgian funk band Charms. Compiled by Charles Maurice on French Disco Boogie Sounds Vol. 2, the original vinyl 7inch was released in 1982 on famous Biram label and is now a very hard to find gem for reasonable prices. Not really surprising considering the immediate power of this Disco track, filled catchy synths lines, sweet vocals and fateful chorus.On the other side comes another French Disco underground hit with “Pour moi ça va” by France-Lise. It takes only a few seconds to get driven on the dancefloor by the heavily funky guitar and bassline and the immediate energy of this song. Also compiled by Charles Maurice on French Disco Boogie Sounds Vol. 1, this is also a quite hard to find OG. With its charming French vocals and bouncing percussions, it should delight any Disco player.

Emotional Rescue and Jamwax end their Capo Disco series by returning to Glen Adams and his cover of Bob Marley’s classic. The early 70s Lee Perry produced original raw sound is taken to the disco reggae dancefloors of the early 80s with a bottom heavy jam, while his Capo Crew works a killer dub flipside.“Fussing & Fighting” was originally released on the 1971’s Soul Revolution album and for many came during the pinnacle of Bob Marley & The Wailers output, before the smoothing out of their sound during the later “Island” years. Whichever, the guidance and collaboration with Perry transformed the Wailers from a successful Ska / Rocksteady group towards a visionary, conscious, crossover phenomenon.Perry’s in-house band, The Upsetters, lent so much to this early period, the brothers Aston and Carlton Barrett creating a perfect drum and bass bedrock. With Glen Adams on organ, the original version known simply as is an incessant, rumbling message and in that light, Adams return to it over a decade later makes justified and righteous sense.Actually released on both Capo Disco and Marley’s own Tuff Gong, Adams’ vocal marries a disco-dub and guitar groove, dropping, in the latter half, right down to tambourine into perfectly stretched Discomix.Things get even more laid out on “Mad Blank” aka the version. Riding the desk, “Capo” lets each instrument time and space, dropping to just a kick and dubbed piano before slowly coming back with hats, guitar and then when the bass comes, the Gospel purity of dub reggae shines, all before the teasing fade calls for a rewind. Rest and rise, Glenroy “Capo” Adams.

** Available exclusively at The Pusher **Naples 1982, the earthquake leaves rubble and dismay, unease and misery, smuggling and heroin.The reconstruction is a shadow that will last more than a decade, it is a shady deal between bureaucrats and criminals.Naples is an open construction site and the redemption was long coming. There was the "music-music" of the Neapolitan Power, which conquers the national limelight, and a dark and marginal enigma called "VESUWAVE" (especially for those who have not experienced it), that remains so, even after many years. Naples is not a country for young bands that are not familiar with tradition and "bel canto" while the record industry inhabits a platonic and incorruptible world beyond the vault of heaven. At that time five Lucanians and three Neapolitans founded Little Italy, probably a tribute to the homonymous district of New York and inspired by Talking Heads, Contorsions, Polyrock, B-52's, Konk and Liquid Liquid. They have the freedom to experiment and smash the stages of the Italian peninsula festivals more attentive to the new waves as well as participate in some television broadcasts. They basically don’t unnoticed but in spite of the apprenticeship and the kilometers covered in three years of activity (from 1983 to 1985) all they had the chance to record were a couple of songs.
Fragments is a compilation made with archived materials that Futuribile Records releases on vinyl after having discovered and restored old unreleased tapes from back in the day and made available by the band members themselves. Seven tracks that highlight a collective in continuous transformation and outline their drivers and abilities.Little Italy have a horn section that gives them that chromatic vivacity, a typically mutant funk guitar groove, two fatal and dazed female voices who speak many languages (English, French, Italian) reciting collages of cryptic texts evoking modernity through no-sense and cultured quotations; a funk thrill in the basslines and drums solutions that give a nod to the sly disco beat of a specific easy listening, elegant and refined Italo sound. A super-sophisticated sound with the right dose of fusion, proper New Wave, which in the more New-Yorker passages recalls the volcanic and sweaty sound of the contemporary and fellow citizens Bisca, another out-of-the-box band member. The warm Mediterranean wind blowing on some tracks certifies their origin and the exoticism leads Little Italy to drink from that oasis of escape.After all, the escape from a world that does not contemplate banality is the synthesis of the 1980s thought. (Words by Fabio Astore)

After the famous Andre Tanker’s “Back Home”, Jamwax is very proud to reissue River Come Down in its 12'' version. Originally released on the Contraband label in 1979 and recorded at famous Semp studio in Trinidad, “River Come Down” is a blend of islands funk, soul, disco, soca with also a touch of gospel: “River, the river come down, the river come down, the river down...wind blow like a hurricane...the river come down, washing the right, washing the wrong, washing the weak, washing the strong, the river come down...”On the other side you will find an obscure synth instrumental released on an impossible to find 7'' in 1986. “Movin Round” was produced by Andre Tanker for Horace Wilson's Turn of The Tide. This song was absolutely under the radar and remains a strong banger for any dances.