Joni Haastrup
Wake Up Your Mind

Thomas Blanchot, 40 years old percussionist and drummer, started his production structure Mato Production in 2001, where he collaborated and directed for many projects.Composer, music publisher and producer of music for TV, advertising, films and records, he also began a career as reggae producer since 2006, under the name "MATO". Since then he’s released music through various projects concepts, coming out through labels such as Makasound, EDR Records or Big Singles. In the meantime he developed a real trademark: taking over classics French, Hip-Hop, or Pop song, into roots reggae-dub new versions.Besides since 2010, Mato has built a solid reputation thanks to his hot remixes of Hip-Hop classics on Stix Records. And in 2014, he presented Homework Dub, giving his own vision of the multiplatinum classic album by Daft Punk, quickly acclaimed internationally as a true performance.Today, Mato is back with another target for his special skills as a tailor of reggae music, this time focusing on classic musical songs from original soundtracks. The result is an album titled Hollywoo Dub, which is planned for release later this year on Stix Records.On this first brilliant 2 tracks single, he also delivers two another renditions; First, he takes over the amazing “’T’ Stands for Trouble” by Marvin Gaye for a cosmic reggae trip, then he provides a new life to “Enter The Dragon” by legendary composer Lalo Schiffrin.

After the famous Andre Tanker’s “Back Home”, Jamwax is very proud to reissue River Come Down in its 12'' version. Originally released on the Contraband label in 1979 and recorded at famous Semp studio in Trinidad, “River Come Down” is a blend of islands funk, soul, disco, soca with also a touch of gospel: “River, the river come down, the river come down, the river down...wind blow like a hurricane...the river come down, washing the right, washing the wrong, washing the weak, washing the strong, the river come down...”On the other side you will find an obscure synth instrumental released on an impossible to find 7'' in 1986. “Movin Round” was produced by Andre Tanker for Horace Wilson's Turn of The Tide. This song was absolutely under the radar and remains a strong banger for any dances.

Favorite Recordings proudly presents Voiciii, the 3rd and new album by Voilaaa, an immersive dip into its Afro-Disco universe spread across 14 tracks. Needless to say you’ll find in this new LP all the ingredients that made him famous: strong dancefloor-friendly festive bangers, irresistible funky arrangements and an undeniable sense of humor and irony. Bruno “Patchworks” Hovart, behind Voilaaa, is as often surrounded by amazing vocal featurings from previous LP’s regulars (Pat Kalla, Lass) but also new voices you may already have heard on its recent EPs (David Walters, Rama Traore, Ayuune Suule), as well as the saxophonist Boris Pokora. The LP is also an occasion to pay tributes to major artists of the African sound, such as Fela Kuti (on “Water No Get Enemy”), or Manu Dibango (“Manu Écoute Ça” and “Tenor Jam For Manu”). Since the release of Voilaaa’s previous LP’s Des Promesses and On Te L’Avait Dit and their massive international support, the Voilaaa Soundsystem did travel through the world to deliver its message of infectious joy and groove, from Equator to Thailand, from Kazakhstan to the infamous French “Fête de l’Huma”. Now you know: Voilaaa is everywhere and Voiciii (“here it is”) their new album.

Comet Records presents the Tony Allen & Afrika 70 reissue series with the classic late seventies first four solo albums of Tony Allen remastered and restored: Jealousy, Progress, No Accomodation for Lagos & No Discrimination, all coming in an heavy Deluxe Tip-On Jacket. 1978's No Accommodation for Lagos, Tony Allen's third solo album, is an effortless Afrobeat masterpiece. The Afrika 70 band floats through two of Tony's heaviest and most churning compositions. With this album, we start to hear Tony Allen's unique style of Afro-Funk that he would explore for decades to come as a solo artist - it is groove-focused, a rolling meditation on rhythm. The first track, "No Accommodation for Lagos" is one of Tony's most pointed and churning songs, recorded in a chaotic period following the army raid of Fela's compound. There is a seriousness to the funk, a real burning purpose in the performance of every instrument, from the horns to the shekere. Tony's performance is supercharged - he clearly showed up to the studio that day with a fire in his heart. The followup track, "African Message," is an Afrobeat compositional staple. Tony sits back in the cut through most of the supremely funky track until about seven minutes in, when he steps into the spotlight to express himself fully - his emotions, his frustrations, his convictions - in a fiery duet between his drumkit and his voice. The percussionists coalesce around him in support, lifting Tony up as he gives it his all.Tony Allen was a musical and compositional visionary, and this album finds him beginning to explore that vision outside of Fela's immense gravitational pull. They are the start of a new era in Tony's fruitful career as a solo artist, opening the floodgates for his distinctive Afro-Funk sound and laying the foundation for the next generation of Afrobeat musicians to come.

Nootkatone, the slightly acid groove. A diva on the wire, a brass ensemble out of control and a surgical rhythm section. This team of young musicians hits the Parisian stage with this first EP completely self-produced. Recorded in the rules at Midilive Studio in Paris, the musicians put forward a new jazz-funk that they call “the Katone”. Their music moves by its sincerity and subtlety. Doubtless, one of the brightest groups of the capital city of love.