Open today: 00:00 - 23:30

By continuing your navigation on this website, you accept the use of cookies for statistical purposes.

Sacbé
Sacbé

Sacbé
SacbéSacbé

Artists

Sacbé

Catno

FVR169LP

Formats

1x Vinyl LP Tip-On Sleeve Printed Innersleeve

Country

France

Release date

Dec 3, 2020

Genres

Jazz

Favorite Recordings presents an exclusive reissue of the first private press eponymous LP by Sacbé, a Mexican Jazz Fusion masterpiece from 1977. Unique and beautifuly recorded, with a breezy feel brought by the synthesizers, Sacbé could be likened to what Azymuth was doing at the same time in Brazil. Available as a vinyl only limited pressing Deluxe Tip-On LP, coming with its original printed innersleeve, remastered by The Carvery.

Sacbé was composed of Eugenio (keyboards), Enrique (electric bass) & Fernando Toussaint (drums), three brothers hailing from the huge Mexico city. Growing up in a family of musicians, they quickly became familiar with jazz music. However they were mostly self-taught, most of them choosing at first to work and study outside the music industry, but somehow, Eugenio had the opportunity to start studies at the Berklee Music University. Before leaving, he deeply wanted to play jazz with his brothers. That’s how Sacbé was created on a hot day of October 1976.

The band then built step by step a challenging repertoire including Chick Corea, Herbie Hancock, Weather Report, Milton Nascimento, Focus, Passport, and many more… Gradually, Eugenio started to compose more tracks, and through a cooperative work of arrangement, Sacbé ended up playing only their own compositions. That was not an easy choice for the band, resulting in a lot less opportunities to play in bars and clubs at night, while they were cumulating small jobs during daytime. But their dedication, tightness and integrity started to attract a wider audience thanks to their sessions at the Musicafé, and helped Sacbé to assert its imprint within Mexico’s creative artistic circles. A group of artists with similar attitudes was created and they began working almost as a team, holding live shows, exhibitions, and dance performances, all with a very unique and creative proposal. It’s at this period that the band met Luis Gil, a young designer and recording engineer, who had access to one of the best studio of the city called LAGAB. Recording at nights and weekends for free, the Toussaint brothers had therefore the chance to really put their band quite literally under the microscope.

With tenacity, they explored all the possibilities of interpretations, structures and improvisations, collaborating with great musicians and finding themselves in the position of being their own producers, despite being only around 20 years old! This album is the result of this perfectionism ethics, shared by everyone involved. “Sacbé” means white road in the Mayan culture, it was the name for the roads connecting the main ceremonial centers with the jungle, made of roughly three feet of coral limestone. They were sacred roads used by high priests and warriors, which echoed the musical path of the three brothers. Putting the pieces together, they managed to create their own label and pressed 1000 copies of their reunited recordings in 1977. The artwork was paint by Enrique, inspired by the work of Le Douanier Rousseau and the Mayan jungle. Hopefully the LP met some success in Mexico and California, opening many radio and TV doors for them. It was the starting point for a whole career of recordings, with a total of seven albums including various guests.

A1

Introduccion

A2

Caribe

A3

Andromeda

A4

Ah-Tok

B1

Sacbé

B2

Page

B3

Las Pulgas Freeway

Other items you may like:

A revival, a resumption, a revelation… call it as you wish, Ray Stephen Oche is now delivering his musical message: fire, fun, fury, talent and magic. This is music from the African heartland, dense, intense, a genuine fermentation of black African experience in sound, a translation of Ray Stephen’s essence into a soothing, meaningful balm for your eager auditory faculties. Such is this album of “dedications”.
JAUBI continues the Nafs journey, which commenced with the well received single “Satanic Nafs” (featuring the remix by legendary LA producers The Gaslamp Killer & Mophono) released in March 2021. Now JAUBI draws on the elements of North Indian classical music, Hip-Hop and modal/spiritual jazz in their debut LP entitled “Nafs At Peace”. Nafs (نَفْس) is an Arabic word meaning “self”/“soul”. There are three levels of Nafs described in the Qur’an; (I) the soul inclined to evil, (II) the self-reproaching soul and (III) the tranquil soul. This journey officially began back in April 2019 when London’s multi- instrumentalist and 22a Record label boss Ed “Tenderlonious” Cawthorne and Polish pianist/composer Marek “Latarnik” Pędziwiatr of EABS/Błoto, visited the group to record in Lahore, Pakistan.Together they channelled their personal struggles at that time into the two recording sessions allowing the musicians to find a spiritual path to transcendence through this musical purge. The Vox Humana Oslo chamber choir provides beautiful choral harmony on the opening track. Nothing whatsoever was written down during the recording sessions - no sheet music and no song titles, which allowed the six musicians to forget about their worldly issues. In many ways, the journey represents an expression of gratitude and an acknowledgement that the musician's inspiration comes from a higher power.The album cover portrays the mother of JAUBI’s bandleader, tearfully praying to God to get her son through that dark period of his life. The album title ‘Nafs At Peace’ refers to the last purification step the self has been through. At this level, the Self no longer struggles because one has complete love of God, by becoming at peace and tranquil with God’s will. We hope all can achieve the stage of “Nafs At Peace” … Inshallah.
Raised on opposite sides of the Atlantic, these two artists have combined their talents to compose Lost Myself. This musical voyage blends New-York’s hard-bop aesthetics and reggae-inspired elements, with modern jazz, for a fresh spin on classics and original compositions.Vocalist Shola Adisa-Farrar, a native of Oakland, was born into a family of artists and intellectuals. Shola began singing at the age of eight, influenced by her Jamaican upbringing and the soul and jazz classics that played in her home. At a young age, Shola garnered attention for her distinct raspy voice, which enabled her to perform a variety of musical styles. After living in New-York for 8 years, where she earned a Bachelor’s degree in Music, she is now a true resident in Paris. Shola spends her time travelling to perform and develop her musical style. This album is her explorations into Jazz.Florian Pellissier, Parisian pianist and composer, is known for the authenticity and hard-bop style he brings to his music. A graduate of The New School for Jazz and Contemporary Music, Florian has spearheaded his own quintet along with the release of two successful albums: Le diable et son train (2012), and Biches Bleues (2014). Florian has also contributed his musical talent to jazz and funk projects such as Setenta, Camarao Orkestra, Chevere Que Son, Cotonete and GUTS. During Shola’s year-long residence as a performer for Le Reservoir’s Sunday Jazz brunch, Hot Casa Records’ honchos introduced Shola to Florian, sensing they would musically complement each other. In July 2013, their collaboration began, bonding over their love of jazz autobiographies, swapping music, and improvising together.The result is eight spiritually-tinged jazz tracks recorded live on analog equipment to maintain the traditional quality, from sultry introspections to rhythmic compositions, grounded in intense emotion. Included are jazz classics such as “Feeling Good” and “I Have a Dream”, a tribute to the music of Herbie Hancock, who has influenced Florian since his formative years in New York, to which Shola penned lyrics.
We are proud to announce the creation of our label Discopathe Records! As our first release, we chose to defend Ginger Ale, the debut album from Soyouzz, a young band from Montpellier (France). This first EP influenced by modern jazz/funk vibrations was inspired by Herbie Hancock, Snarky Puppy, Vulfpek and Louis Cole.Welcome aboard SOYOUZZ spacecraft. Let yourself be led into a unique and colorful retrofuturistic sound experimentation of 25 minutes and 5 steps to Ginger Ale. A collective of six musicians will be your captain. You will feel some pleasant turbulence during the flight, as you will go through deep bass sound with curls from brass instruments, going from a killer groove to a mind-blowing trance. Don’t panic, the spacecraft will stabilize by flirting blithely with electronic music.
** Not available for Italy & UK **Unconscious Collective is the first album by PS5, the new ensemble led by Pietro Santangelo (Nu Guinea, Slivovitz, Fitness Forever) - and it will be out for Hyperjazz Records on 21st May 2021. It’s a further step in the label’s path in trying to connect the musical tradition of South Italy, the love for African-American music, and new ways of expression. ‘Unconscious Collective’ is a musical experiment where layered memories and hidden feelings resonate as if they arise directly from the most recondite part of the unconscious, suspending the stream of consciousness. With the aim to create a state of trance and override the human reason, this is an imaginary round trip across the Mediterranean Sea and the Atlantic Ocean, ideally connecting Naples with Northern and Sub-Saharan Africa and Latin America. The arrangements wrote by Santangelo are based on great freedom of improvisation: while the melodic textures of the two saxophones didn’t give any clear references, the other musicians followed the rhythmic pulse and its unpredictable ways. The music moves naturally along an imaginary line highlighting the ancestral connection between Jamaica and Ethiopia or between Nigeria and Cuba. In the background, Naples is a synthesis of all the sonic ingredients, mixed and cooked in its own mystical and spicy belly.Besides Santangelo himself on the tenor and soprano saxophones, the collective is made up of: Paolo Bianconcini, a brilliant Neapolitan percussionist with a very deep Afro-Cuban background; Giuseppe Giroffi, young and talented alto, and baritone saxophonist; the bassist Vincenzo Lamagna and the drummer Salvatore Rainone, both loyal members of the former Santangelo’s trio.Recorded live at the Auditorium Novecento in Naples, the legendary studio of Phonotype Records, Unconscious Collective is mixed in analog format by Fabrizio Piccolo and mastered by Davide Barbarulo at his 20Hz20KHz Studio.
After two hip-hop albums (Got To Get Down in 2016 and Impact in 2017), the unpredictable Afro Latin Vintage Orchestra comes back to its fundamentals with a new instrumental album: MORPHEUS which repositions the band in the spirit of their previous spatial, almost cosmic albums Last Odyssey (2012) and Pulsion (2015), both released on Ubiquity Records and acclaimed by spiritual and fusion jazz lovers, library music fans, as well as rare grooves diggers (ALVO’s first 4 vinyl albums now being out of stock).Each new ALVO new release is a millesimal which evolved and learned from its predecessors. Masta Conga, who’s still leading the herd, has for main purpose to explore the musical space-time, gaining ground on never before revealed tracks, followed by his now faithful team of atypical and farseeing musicians.Compared to Miles Davis and his On The Corner by Wax Poetics, the band dives again in this “realm of psychedelia and beyond”, in particular with the contribution of Indian musicians. Twirling around violins, superimposed patchy keyboards and effects, just as if their conductor wasn’t already sufficiently influenced by Pierre Boulez and others such as Hiroshi Murakami…The result is however more uncluttered and loaded with multiple vibes than its predecessor Pulsion, which already carried the ceremonial characteristics of cult movie soundtracks. Tracks “Moksha”, “Air” and “Morpheus” are the perfect demonstration, and far beyond their names. Simple grooves, lunar, but terribly efficient, emphasized by a mix that puts focus on these fiddly contributions of ethnic instruments, on percussions and horns on a drip of delay, reverbs and other space-echoes.On the other side, the very rhythmic “Descarga Uno”, “Descarga Dos” and “Super Dopamine” show that the Parisian crew hasn’t lost its good habit to look around latin, ternary, and syncopated rhythms, in the ALVO only style!A new millésime, a Grand Cru maybe, but for sure to taste and appreciate in all weathers including space ones.