True Persuaders
Roots Man Skank

Few years before the international hit “Uptown Top Ranking”, made with his friend Donna, Althea Forrest recorded “Hey Mister” for famous producer (and singer) Derrick Harriott.Mid 1970's, Derrick Harriott is the best reggae-soul producer in Jamaica. He's made tons of US soul cover with Jamaican artists. “Hey Mister” was recorded at Federal studios (Tuff Gong nowadays) and didn't get an international audience, not even in Jamaica, probably because it was not a cover!For the first time since 1976, “Hey Mister” is now available on a Maxi vinyl 12'' to offer the best sound quality. Thanks to Derrick Harriott's master tapes and to the original artwork, now you can play this tune in the perfect condition.

Comet Records presents the Tony Allen & Africa 70 reissue series with the classic late seventies first four solo albums of Tony Allen remastered and restored: Jealousy, Progress, No Accomodation for Lagos & No Discrimination, all coming in an heavy Deluxe Tip-On Jacket.Recorded with Afrika 70 at the height of their power as Fela Kuti’s band, these are seminal recordings in the pantheon of Afrobeat history. Once again, Comet Records has the opportunity to shine a light on the sheer musicality and originality of the humble drumming giant. Tony Allen’s passing in April 2020 sent a shockwave across the world, as fans and collaborators from Lagos to Brooklyn and everywhere in between mourned the loss of a generous and powerful being, the kind of being we thought would live forever. Thankfully, we have the gift of Tony’s timeless music, starting with these four special solo albums, through which his musical voice guides our dancing feet and full hearts forever.Produced by Fela Kuti in 1975, Tony Allen’s first solo album with Afrika 70, Jealousy, is like the man himself: light on its feet yet deeply settled, spacious yet bursting with magical talent. On the title track “Jealousy” Tony is joyously in his element, conducting one of the mightiest bands in the world - he is the head chef, and the band is cooking. The second track, “Hustler” features one of the most iconic solos in drumming history, a rare glimpse into Tony’s gift of musical phrasing - it is possibly the best example of Tony’s ability to literally speak through his beloved drumset. Tony Allen possessed magic within him, which he spent his entire life sharing with us through his drumming hands, tapping feet and generous heart. That magic is ever-present and strong on these formative solo albums - they are must-haves for Afrobeat fans across the globe.

First collaboration between Jamaican singer songwriter Courtney John, the lovers rocker & French producer Guillaume "Gee" Metenier, "All I know" is a very cool - unique sounding, dub funk synth reggae soul with delicious vocals - yes it's all that and more! One to get those sub woofers shakin' - turn it up! "All I know - what you reap is what you sow"

The legend is back! Dizzy K returns with Sweet Music Volume II, the long awaited sequel to 2018’s hit first entry celebrating the music of one of Nigeria’s most beloved artists. This second instalment compiles the best of the best from Dizzy’s final three secular albums of the 1980’s, delivering more infectious Nigerian synth boogie guaranteed to get you moving to the dance floor. The selected tracks showcase a wealth of different genres; Soca, Pop, R&B, Funk, Neo-Soul & Boogie all featuring, with traditional West African music as well as American pop culture forming a dynamic blend of inspiration across the record. Pressed in a very limited run, this is another unmissable collection of never before reissued Dizzy K, and a must have for lovers of left field nostalgic Nigerian sounds. Side A opens with ‘Who’s The Other Guy?’ from 1984’s iconic 'Traffic Jammer' LP. Written and produced with Tony Okoroji, the sought after extended instrumental Mix also makes its way to the comp, the perfect DJ accompaniment for the beach or summer party. ‘No Dime’ is another choice cut from the Traffic Jammer album: Despite the sombre lyrics, the flickering drum beat and twinkly keys invites the listener to bop along over Dizzy’s smooth vocals. 1987’s 'In Color' Album presents Dizzy at his most swaggering. Feature tracks ‘Hold Me Tight’ and ‘Bad-Boy’, both underlined by legendary Nkono Teles production. Dripping in 80’s sheen, the stage is set with stuttering vocal samples, heavy drum patterns and deep twanging bass. Pan-African electro anthem ‘Afrikan Jamboree’ lands as the first single for Sweet Music Volume II. A progressive layering of traditional Yoruba, Hausa and Igbo samples play against a stellar backing track and Dizzy's climbing vocals. Part experimental dance music, part power pop, and an all encompassing celebration of Nigerian and West African culture. Whilst little known, it’s sure to become a favourite amongst diggers and DJ’s, original listeners and those who it passed by the first time around. 14 total tracks curated and restored with love, mastered for Vinyl by Frank Merritt at The Carvery and pressed loud across 2 discs with the DJ in mind, Sweet Music Volume II is set to be another quality entry in the Sticky Buttons catalogue. This much anticipated release is a gift for the fans already familiar, and for those just joining a heady mix of the recognisable and unexpected, packaged together as the authoritative collection of Dizzy K’s most prolific period.

** Available exclusively at The Pusher **Cult South Asian New Wave! Naya Beat is proud to announce its second release, Tere Liye, the highly sought after and impossible to find New Wave album by the unsung pioneers of the British Asian music scene, Pinky Ann Rihal. Remastered for vinyl by multi Grammy-nominated Frank Merritt at The Carvery and available for the first time since its limited 1985 release, the album is as fresh and relevant today as it was 37 years ago. South Asian New Wave. Four words that you will rarely see together. Pinky Ann Rihal were the brainchild of two London-based Punjabi immigrants and progressive rock musicians – Harry Rihal and Jati Sodhi – at a time in the U.K. when progressive rock musicians were almost exclusively white and Punjabi musicians were almost exclusively making Bhangra. Encouraged by their friend and disco pioneer Biddu (yes, that Biddu!), they cut ‘Tere Liye’ – a one-off Hindi-language New Wave album with producer John Hamilton and vocalists Pinky Rihal (married to Harry) and Anne Barrett (married to John). It is an album that exemplifies the cultural collaboration and musical synthesis of the time. Complementing the rich, cosmic and layered synths and drum programming of Hamilton and the distorted guitars of Rihal and Sodhi are the Hindi lyrics of vocalists Pinky and Anne. The result is an amazing one-of-a-kind South Asian New Wave album. Nothing like it has come out before or since. Stymied on its original release by bungled distribution, poor marketing and plenty of bad luck, this incredible album seemed destined to be lost to history. With Asian electronic music in the U.K. seeing a rebirth and capturing imaginations around the world,‘Tere Liye’ can finally take its rightful place as one of the pioneering albums of the Asian underground.This is Naya Beat’s second release in a series of reissues, reworks and remixes, and compilations dedicated to uncovering electronic and dance music from the overlooked ‘80s and ‘90s South Asian music scene. Their first release Naya Beat Volume 1: South Asian Dance and Electronic Music 1983-1992 was named by the Vinyl Factory as the Number 1 reissue of 2021.

Jamwax presents the resurrection of a hard-hitting space synth masterpiece that's set to ignite your senses and shake the very foundations of sound systems worldwide. 'In Ting Sound' is a sonic juggernaut, a hard-as-nails sound bwoy killer that refuses to be confined to the constraints of time. With its pulsating beats and infectious rhythms, this track commands attention from the moment the first note hits. But it's the heavy drums that truly set it apart, pounding with relentless force and driving the groove forward with unstoppable momentum.Get ready to embark on a sonic journey like no other as this reissue comes with three exclusive unreleased tracks : 'Mandela': Feel the pulse of liberation with this uptempo digital killer, featuring Winston's impassioned plea to "Free Nelson Mandela...he never done no wrong, he is just a conscious man..."Let the rhythm of justice resonate as you groove to this powerful anthem of freedom. 'Life All Over': Flip over to the B-side for a digital roots tune that- hits hard with its strong bassline and conscious lyrics. "Life AllOver" dives deep into the essence of existence, delivering a message of hope and resilience that reverberates with every beat. 'Finnegan' aka 'Life All Over Dubwise': Prepare to enter the realm of dub mastery. The second part of "Life All Over" takes you on a journey through the echoes of space and time, where the music transcends boundaries and the spirit of dub reigns supreme.About Winston Fergus : Winston Fergus, a stalwart of the UK reggae scene whose career spans over four decades. Winston kickstarted his journey in 1976 as the vibrant lead singer of The Equators, renowned for their iconic track 'Father Oh Father' released under Joe Sinclair's esteemed Klik label. Not only did The Equators make waves in their own right, but they also provided the musical backdrop for rising star Pablo Gad, solidifying Winston's reputation as a mentor in the industry.In 1977, Winston ventured into solo territory with the soulful release 'Give Me Love' on Jah Jah Bus, marking the beginning of a prolific solo career. Lightning Records recognized his talent and signed him, resulting in the release of 'African Woman'. Throughout the '80s, Winston remained a prominent figure, collaborating with luminaries like Clement Bushay, Clive Stanhope, and John Dread, producing hits such as 'Jezebel Woman', 'Keep On Dancing', and 'Hope For The World'. In the late 80's, Winston's entrepreneurial spirit led him to establish his own imprint, Fergie Music label, marking a new chapter in his illustrious career.