Mr Day
Small Fry

Following the recent acclaimed release of his “Space” LP, on which Bruno “Patchworks” Hovart transformed himself into Patchworks Galactic Project for a fantastic musical trip, Favorite Recordings proudly presents this new 2 tracks remix EP.On the A side, rising UK producer NY*AK provides a blowing version of “Surrounded by the Gobblins”. What do the letters stand for? Why the asterisk?” you ask. The origin of the asterisk has something to do with donating dates of birth on family trees, from back in the medieval times. In music, an asterisk denotes when a sustain pedal should be lifted. NY – New York? AK – Alaska? Is it something to do with the three stooges? Nyak nyak nyak… It leaves the mind thirsty for answers... In reality Andrew Scott, the man behind NY*AK; banged his computer keyboard in frustration one day – and out came NY*AK. If that’s taken the shine off it a little, we’re not worried. Listen to any of Andrews tracks and we guarantee you’ll be drawn straight back in, but this time – deeper.For the B Side, underground House producer Kool Vibe also delivers a brilliant rendition of “Gobblins Are Gone”. Producer & owner of KV Records (Paris), record collector since 1993, and definitely part of the new Deep House music scene that is emerging from France at the moment, Laurent, aka Kool Vibe, was born in Paris in 1970. Kool Vibe's music reflects the best of the 90s House Music sound that he manages to love so much. In 2011 and 2012, his first releases have been cult tracks out on “My Love Is Underground” and “Traxx Underground” imprints.“Must congratulate you. I can't remember the last time I sat and listened to an album from first note to last…” – (Patrick Adams about “Space” LP)

Broc Recordz presents its new 7inch of the legendary Janko Nilovic with the Soul Surfers! Enter in this psychedelic and groovy record with a crazy artwork made by Fabricio Orellano from Argentina.

Following previous ventures with The Funk League and production credits for Large Professor, Diamond D or Gift of Gab, french producer Hugo LX returns with a new collective project under his KenJaNaï’ alias.The debut album “Faceless Heroes” (coming out in October 2014) showcases a radical shift for the young beatsmith, as the production style leans towards futuristic beats, 80’s synths and also some downtempo - sometimes ambiant - jams influenced by Japanese electronic and new funk legacy.KenJaNaï is not only a producer effort, but a close collaboration with fellow musicians and top shelf vocal artist: the mighty Elzhi (from Detroit very own Slum Village) and indy star Oddisee supply classic verses, while Canadian songstress Amalia (known for her tremendous work with Opolopo) brings her Nu-Funk trademark and soulful vibe in the mix, alongside Kandisky Effect' bassist Gael Petrina and turntablist DJ Suspect.Cruising through atmospheric layers and hard hitting drum patches, “Faceless Heroes” expresses nowadays producers’ ability to navigate from a place to another on the musical spectrum, in order to keep the music vibrant.

The Selenites Band is a musical collective led by Obi Riddim aka Antoine Laloux. The band is playing mostly Ethio Jazz, a popular Ethiopian music trend, famous from the 50’s until the 70’s in Ethiopia. During this Golden Age famous musicians such as Mulatu Astatke, Girma Béyéné, Mahmoud Ahmed, Getatchew Mekurya dominated the musical scene.The Selenites Band is paying a tribute to those Masters by playing their major pieces, and through their own creative work inspired by the Spirit of this time. Modal Jazz, pentatonic melodies, free improvisation are expressed and magnified through the original vintage sound, mixing of woodwind instrument, psychedelic guitars and a drums section that seems to have stepped out of a Blaxploitation movie. The Selenites Band is blowing a heat wave from the Grand Rift Valley to reach a powerful tectonic force, deeper than a sand storm, magic as a trance under the moon, vibrant as a tropical party fever in some Addis Abeba Club back in the old days.After releasing their first EP in 2019 with Sandal label, the French label Stereophonk put out 6 recorded live tracks which consist of classic Ethiopian tracks composed by Mulatu Astatke and Girma Beyene. Some of them have been made famous internationally being sampled by popular artists like Damian Marley, Nas, Jay Z … who helped the recognizing of this regional culture and gift. Stereophonk is a French label headed by Dj Marrrtin, releasing records that they love: from Estonian jazz-funk (Estrada Orchestra), somtoe funk breaks played in every breakdance events (Funky Bijou) and trips music inspired by Indian Grooves (Lord Paramour).

Otis Stacks, three syllables. A name and a first name that recall a mythical singer as much as the Memphis music label that got him to it’s days of glory. A name that evokes him in particular and soul music in general. Behind a name that sounds familiar are Elias Wallace and Justmike, two men united to become one: Otis Stacks. In truth, the optimized version of a work started long ago, when Justmike was producing the Danish hip-hop sound of Dafuniks and decided to get in touch with Elias after hearing his voice on a friend’s tune. He first wanted him to lay his voice on a chorus, then a verse, and ended letting him take over the lyrics of “All I Want”, the song that would later bring Dafuniks on air and around Europe. After traveling miles and miles across the ocean and the seas separating California from Denmark, Elias undeniably became a member of the group. As gigs went on, stages after stages, Justmike got inspired by Elias’s voice and presence. Thus, the idea of a duo collaboration between the two men geminated and grew in his mind. As the evidence of their getting along, “Fashion Drunk” became the first tune to infiltrate Nova and FIP radio playlists, as its music video reached 8 million views. This now obvious complicity as extended in the form of an album, also called Fashion Drunk, released by Underdogs Records. With this French stopover, the line between California and Denmark is now completed. The result is an artistic fusion in which Justmike has plugged his instruments to the machines he uses to compose, letting Elias in charge of the lyrics and singing. Here, the soul music is printed as a guideline in an organic and digital composite matter. In an ethereal and aerial production that perches its arrangements in the air of the mix or buries them in its bases, letting electro music spread on a groove punched with black and white keys. Each element intervenes with discretion to let Elias stories be related with elegance. Frustrated, disappointed or aborted love stories.

** Available exclusively at The Pusher **Like the flower from which he takes his name, which is very rare and only grows once a year in one region of the world, the music of Rose Noir cultivates a form of dark and fascinating elegance. Traces of its genesis can be found in the sampling practice of the golden age of hip hop dear to the musician, but it also manages to retranscribe the total aesthetics of the culture of the 60s and 70s, when the stars aligned to give birth to a music bathed in cinematographic influences in the wake of Marc Moulin, Brian Bennet, Azymuth, Janko Nilovic or David Axelrod. Assembled with the help of instruments, Rose Noir’s music has nonetheless benefited from the hybrid background of its creator, an unrepentant digger with a wide-ranging and curious musical culture. Rose Noir embodies a new phase in the development of a master craftsman, the sound of the French producer is halfway between beat making and majestic arrangements. Though the tracks of this new project Bloom EP wouldn’t be out of place in the soundtrack of a suspense film from the past, they are the reflection of a man in complete control of his art, guided by the same instinctive and passionate searching that has allowed him to evolve from his first starts, by following a trajectory that belongs to him alone. Rose Noir’s compositions are lush and varied, using as much space as they do sound for dramatic and dynamic effect.The French musician and producer Rose Noir appears to float across different musical time periods, as if touched by grace. But it’s thanks to his iron will, combined with a highly personal and creative approach to music, that he has managed to define new territories and reinvent himself constantly.