Dela
WhatUWanna

Paris based Roforofo Jazz is a 7-piece liveband fronted by Chicago born MC Days (aka RacecaR), with a certain taste for adventurous blends, mixing hip hop, afrobeat and jazz into their very own style.After more than 15 years slashing the afrobeat of Les Freres Smith with his guitar cuts, Martin Smith digged into the musical sediments and silts in a swamp of hip hop, funk groove, afro power, jazz freedom radicality, with a certain taste for adventurous blends. This wax solid 5 tracks Vinyl was recorded live in Montreuil (France) at Studios La Peche, in November 2019, just a few weeks after the band toured in Nigeria and played at the mythical New Afrika Shrine on the occasion of Felabration 2019, where they got invited to perform by the Fela Kuti family for a series of concerts in Lagos.The 5 titles include the single “Fire Eater”, a raw afro hip hop tune mixing rhythms in the tradition of polyrhythm afrofunk tunes, while also alternating in between jazzy mood and burning hip hop anthem. “Dump It” is a dark, mid tempo beat, borrowing the groove signature of ethiopian soul, and coated with hip hop sharp drops, while horns bring the jazzyness through their themes. “Helelyos” is a cover/extrapolation of Iranian singer Zia’s hit, to which Days vocals bring an heavy old school hip hop vibe. “2Kick1” is a relentless afrobeat oriented tune, though with a languorous spacy chorus that breaks with the traditional afrobeat routine. And “What We Think We Saw” ends the EP with an opening to more psychedelic visions, in which a Gil Scott-Heron spoken word style meets jazzy space echoes, flutes under massive reverbs in a global vibe that could remind old analog recordings of Mandrill, Cymande or LKJ.

Otis Stacks is a collaboration between Michael Munch (aka JustMike), a producer from Denmark, and Elias Wallace a singer songwriter from Pasadena, California. The music is analog synth based soul with undertones of the hip-hop culture that both grew up in.Otis Stacks sound was conceived out of JustMike’s growing collection of vintage analog synths. As he collected old analog synthesizers, he experimented with new sounds and created a sparse soulful sound. During a tour through the French Alps with Elias and the Danish band Dafuniks, Elias and JustMike recorded a song that later would became “Fashion Drunk”, the first single off of their EP The Break Up. After hearing the sound that they both came up with they formed Otis Stacks and wrote and recorded songs in Nice, Montpellier, and Paris, while touring France.Otis Stacks use of analog synth sounds and Rhodes piano give it a distinct sparse sound. It is soulful and hearkening back to an older more pure time in music before over processing and auto tune dominated the approach. Elias adds thoughtful, emotional lyrics and strong melodies to the mix. It all works together to create meaningful songs that explore loss, pain, and longing in the sometimes vacuous and hedonistic nature of the music world.

Otis Stacks, three syllables. A name and a first name that recall a mythical singer as much as the Memphis music label that got him to it’s days of glory. A name that evokes him in particular and soul music in general. Behind a name that sounds familiar are Elias Wallace and Justmike, two men united to become one: Otis Stacks. In truth, the optimized version of a work started long ago, when Justmike was producing the Danish hip-hop sound of Dafuniks and decided to get in touch with Elias after hearing his voice on a friend’s tune. He first wanted him to lay his voice on a chorus, then a verse, and ended letting him take over the lyrics of “All I Want”, the song that would later bring Dafuniks on air and around Europe. After traveling miles and miles across the ocean and the seas separating California from Denmark, Elias undeniably became a member of the group. As gigs went on, stages after stages, Justmike got inspired by Elias’s voice and presence. Thus, the idea of a duo collaboration between the two men geminated and grew in his mind. As the evidence of their getting along, “Fashion Drunk” became the first tune to infiltrate Nova and FIP radio playlists, as its music video reached 8 million views. This now obvious complicity as extended in the form of an album, also called Fashion Drunk, released by Underdogs Records. With this French stopover, the line between California and Denmark is now completed. The result is an artistic fusion in which Justmike has plugged his instruments to the machines he uses to compose, letting Elias in charge of the lyrics and singing. Here, the soul music is printed as a guideline in an organic and digital composite matter. In an ethereal and aerial production that perches its arrangements in the air of the mix or buries them in its bases, letting electro music spread on a groove punched with black and white keys. Each element intervenes with discretion to let Elias stories be related with elegance. Frustrated, disappointed or aborted love stories.

Following previous ventures with The Funk League and production credits for Large Professor, Diamond D or Gift of Gab, french producer Hugo LX returns with a new collective project under his KenJaNaï’ alias.The debut album “Faceless Heroes” (coming out in October 2014) showcases a radical shift for the young beatsmith, as the production style leans towards futuristic beats, 80’s synths and also some downtempo - sometimes ambiant - jams influenced by Japanese electronic and new funk legacy.KenJaNaï is not only a producer effort, but a close collaboration with fellow musicians and top shelf vocal artist: the mighty Elzhi (from Detroit very own Slum Village) and indy star Oddisee supply classic verses, while Canadian songstress Amalia (known for her tremendous work with Opolopo) brings her Nu-Funk trademark and soulful vibe in the mix, alongside Kandisky Effect' bassist Gael Petrina and turntablist DJ Suspect.Cruising through atmospheric layers and hard hitting drum patches, “Faceless Heroes” expresses nowadays producers’ ability to navigate from a place to another on the musical spectrum, in order to keep the music vibrant.

They're back for more! Once again, Mister Modo & Ugly Mac Beer team up to bring you a proper banger that sounds like a 90s anthem, this time with Detroit female Mc Crimson Alchemist. The OG version is insane, and the remix on the flipside is ill as well. What a double sider!