SunPalace
The Lost Songs 1982-1984

Out now on Nowadays Records, Phazz & Everydayz joined forces to release their debut collaborative concept LP, Almeria. The new 10 tracks project features a smooth combination of hip-hop infused future beats that will make you feel a real spirit of cohesion between the two French producers. Phazz has already gained respect from the likes of XXYYXX, Cashmere Cat & Just Blaze while Everydayz is a rising musician who will cement his spot in the scene after this release. Check it out!

Emotional Rescue and Jamwax end their Capo Disco series by returning to Glen Adams and his cover of Bob Marley’s classic. The early 70s Lee Perry produced original raw sound is taken to the disco reggae dancefloors of the early 80s with a bottom heavy jam, while his Capo Crew works a killer dub flipside.“Fussing & Fighting” was originally released on the 1971’s Soul Revolution album and for many came during the pinnacle of Bob Marley & The Wailers output, before the smoothing out of their sound during the later “Island” years. Whichever, the guidance and collaboration with Perry transformed the Wailers from a successful Ska / Rocksteady group towards a visionary, conscious, crossover phenomenon.Perry’s in-house band, The Upsetters, lent so much to this early period, the brothers Aston and Carlton Barrett creating a perfect drum and bass bedrock. With Glen Adams on organ, the original version known simply as is an incessant, rumbling message and in that light, Adams return to it over a decade later makes justified and righteous sense.Actually released on both Capo Disco and Marley’s own Tuff Gong, Adams’ vocal marries a disco-dub and guitar groove, dropping, in the latter half, right down to tambourine into perfectly stretched Discomix.Things get even more laid out on “Mad Blank” aka the version. Riding the desk, “Capo” lets each instrument time and space, dropping to just a kick and dubbed piano before slowly coming back with hats, guitar and then when the bass comes, the Gospel purity of dub reggae shines, all before the teasing fade calls for a rewind. Rest and rise, Glenroy “Capo” Adams.

This new Oriki Music compilation includes serious 1970’s Afro dancefloor hits, surely a promising favorite among deejays, Afrofunk and Tropical music revival aficionados.Vinyl diggers can finally play some of Ivory Coast’s hardest to find deep funk, Afrobeat, Manding and Tropical rhythms tunes recorded by such legends as Moussa Doumbia, De Frank Jr, or Francis Kingsley.The consistent liner notes focus on the original label history, Société Ivoirienne du disque, based on interviews with the producer. Original unreleased pictures of the artists and 1970’s Abidjan city, a great artwork and a limited press gatefold double LP and digipack CD make it a beautiful collectible object.Compiled by pioneer African music digger and respected deejay Greg de Villanova, a legend among Afro/Tropical music collectors and deejays, it signs the great return of the dormant French record label, which released such wonders as Orchestra Baobab’s A Night At Club Baobab or Moussa Doumbia’s Keleya.

Nine unreleased and rare tracks from the amazing Roger Damawuzan also known as the “James Brown from Lomé”, backed by the tremendous “Les As du Benin” orchestra, and recorded between 1972 and 1981.Born in 1952 in Aneho (Togo), “The king of Gazo” (a traditional rhythm) is one of the most popular singer of his native country. He started his career in 1968 with the “Ricker’s” but his first record was released in 1972 with his now classic hit “Wait For Me”.From 1972 to the early 80s alongside “Les As du Benin”, they worked more than 5 days a week at the Hotel Tropicana in front of the sea with many tourists around and it was a very good exercise to work and create a perfect Afro-Soul sound. During this period they also recorded many tracks, sometime in Ghana at the famous Philips studio, sometime during live session for big events in the “Palais des Congres de Lomé” and studio Otodi in Lomé, always live and analog.Today Roger Damawuzan lives in Lomé; in 2014 he was the featuring singer on the smash hit “Pas Contente” by Vaudou Game and performed with the band in different European big festivals.Roger Damawuzan & Les As Du Benin can be considered as one of the biggest figure of the African Funk scene from the 70s: A must have record!

Favorite Recordings and Charles Maurice proudly present the 4th edition of the AOR Global Sounds compilations series: 14 rare and hidden tracks, produced between 1977 and 1986 in various parts of the world. Started in 2015, the AOR Global Sounds series was born from the will of Charles Maurice (aka Pascal Rioux) to share his longtime love for the AOR and WestCoast movement and highlight its influence for many artists in the late 70s and early 80s. In this 4th volume, he selected again highly forgotten productions, deeply infused with Disco and Soul flavors.Half of the compilation’s tracklist is naturally coming from the US, homeland of this music style, but the other half is made of productions from all over the globe, from France, Belgium, Italy, to Mexico. And for most of these beautiful songs, it came from artists and bands rather unknown and often released as private press.As an example, “Come Back” is the result of a music talent competition won by a student band named Parenthèse, gaining a full recording session in a professional studio and the production of a limited promotional 7inch vinyl, which still completely obscure til now. “Mellow Out” comes from the only album by Pacific Dreams, which was fully self-produced and released by its leader Tommy Sweet. Fernando Toussaint, however having quite a solid career and discography as a drummer and with his brother forming the Mexican Jazz-Funk band Sacbé, had solely one solo album released in very limited quantities on Discos Alebrije, a label directed by Alain Derbez. As for “Never Was Love” by Russ Long, despite becoming quite famous when recorded and sang by Judy Roberts, it’s still surprisingly undiscovered in its original version, taken from Russ’ beautiful album from 1982, Long On Jazz In Kansas City.And we could detail stories like this for each of the titles included in AOR Global Sounds Vol.4, but our guessing is the best way to learn more about all these gems is to listen to it, fully remastered from originals, and whether your preference is for vinyl or CD formats.