The Dynamics
Downtown Barkings

The Bongo Hop is back with his third effort, La Ñapa, an 8 track mini album/EP featuring Angolan legend Paulo Flores, Colombian singer Nidia Gongora, Danish hip hop crew Dafuniks, Voilaaa & more…With those new tracks, B-sides and remixes all bearing his trademark -infectious afro-caribbean grooves, warm brass, suprising and genre-bending sound ventures - he’ll take you on a ride from Cali to Luanda, via the dunes of Bechar and the clubs of Detroit and Port au Prince.

Stix Records, a sub-label of Favorite Recordings, is back with some heavy dub cuts from label regular Mato with its usual special skills as a tailor of reggae music. On Side A, Mato focuses on the infamous "Summer Madness", originally composed by Kool & The Gang. Providing a fresh dub rework, the song will make you dream of hot wet summer nights, gently rocked by beautiful guitar melodies and sweet Fender Rhodes chords. Just a perfect match for all forthcoming summers of love! On Side B, Mato takes care of "Use Me", originally composed by Bill Withers on his Still Bill album. Expect funky and bouncy clavinets and a nice melodica line for this rework of a timeless classic. As Mato once said, "Play it loud and burn a chalice!" Starting his reggae production career in 2006, Thomas Blanchot (aka Mato) has released music through various projects on EDR Records, Big Singles or Makasound ... In the meantime he developed a real trademark, taking over classics French, Hip-Hop, or Pop song, into roots reggae-dub new versions. Besides, since 2010, Mato has built a solid reputation thanks to his hot remixes of Hip-Hop classics on Stix Records.

Libreville Records presents Totāl Cuevas, a seminal compilation album of legendary DJ Guy Cuevas's own music.Guy Cuevas is a French-Cuban writer, musician, and DJ, pioneer of the art of modern DJing. A key figure on the Paris night scene, Guy Cuevas gained a cult status as the resident DJ of the mythical nightclub Le Palace, gathering thousands of people every night under his booth, shepherding them with his music towards euphoria. He also collaborated with a great number of Fashion brands, such as Yves Saint Laurent, Kenzo, Dior, Hermès and many more.In the early 80s, Guy Cuevas released a handful of records, channeling his hedonism and natural grandeur into his sound, creating a unique music of his own.Totāl Cuevas brings together music from his three singles Ebony Game (1981), Obsession (1982), and Gallo Negro (1984), and includes previously unreleased alternate mixes. Guy Cuevas’s most iconic output, "Obsession - The Nassau Mix" (mixed by François K) gets a fresh new reboot with "Obsession - The Paris Version".Remastered from the master tapes.

1979. The suburbs of Paris. Five friends, whose origins stem from the West Indies and North Africa, came together to form Trenchtown Meditation, a “creole-speaking” French reggae band.Heavily inspired by the seminal sound of Bob Marley, Trenchtown Meditation was one of the pioneering bands of the burgeoning French reggae scene. It was also at this time that France saw the explosion of pirate radio stations; like many other bands of the era, Trenchtown Meditation would play live sets on-air in these small radio shacks in between gigs on the various scenes of Paris and its vicinity. The band also got their 15 seconds of fame in 1983 when they appeared on the French TV show “Aujourd’hui La Vie- ‘Spécial Exotisme’”. It was during this busy period that the band recorded an 8 tracks reggae album (which to this day remains unreleased). But in spite of their record and strong desire to make a living from music, the daily grind caught up with the band; in 1984 the guitar player quit the band. Subsequently, the four members decided to rename the band Cap’tain Créole with the aim – while remaining true to its reggae roots – of exploring new musical horizons, driven by the will to go beyond all that they’d done up to that moment.The group had access to a professional recording studio and quickly decided to cut a new project. With the help of 3 new members – among them a sax player and a trumpet player, both coming from the jazz scene, who helped define the new sound of Cap’tain Créole – they recorded their unique outing called Ni Bel Jounin. It’s a single composed of 2 titles Fré Moin / Ni Bel Jounin, both sung in créole, which was clearly unusual for the time. Both tracks are at the crossroads of many universes: Afro, Rock, Funk, Reggae and the result is quite unique! The band also used with great impact some subtle electronic elements. “Fré Moin” catches you instantly while “Ni Bel Jounin” strikes the listener with its beauty. The spiritual vibe that oozes from the record is an obvious marker of their reggae roots.Privately pressed and self-distributed in small quantities at the time, BeauMonde is proud to make the one and only record of Cap’tain Créole available again.

Here comes another brilliant rework of Studio 1 classic. It's the melodica dub version of Ernest Ranglin's reggae jazz tune

** Available exclusively at The Pusher **After their debut album Space Voyage for Warner Chappell, Eleven76 are back with a new album commercially available for the first time entitled Occhio Occhio.The album contains insect-themed outernational grooves with tropical and Arabian flavours and smooth and buttered tunes with soulful vibes that are reminiscent of classic European library music. Vintage synthesizers and hot tape-recorded drums continue to lead Eleven76's mystique, with travels through funk territories and all the while frenzied percussion-heavy break beats keep b-girls and b-boys moving on the floor.Including the sold-out first two singles "The Scarab’s Quest" & "The Hornet’s Nest" plus 3 exclusive tracks for this vinyl edition.